Tag Archives: Rose

Douleur by Bogue Profumo x Freddie Albrighton

Notes: Mint, Flesh, Rose, Candyfloss, Seaweed and Benzoin

I know tattoo artist and fragrance aficionado Freddie Albrighton through various meet-ups over the years and his (sadly defunct) perfume blog. I think it’s true to say that he has been drawn to maverick artisan perfumers and that they in turn, have been drawn to him. I imagine they share a similar sensibility. He did the marketing artwork for Vero Kern’s masterwork Rozy and now he has collaborated on a perfume with Antonio Gardoni of Bogue Profumo. How cool is that?

No doubt the project worked in part because they both have a love of novel aromas that not everyone would expect to find in a perfume. I mean, just look at that note list. It made me smile and reminded me of when my then 5 year-old niece said her pretend perfume was made of ‘Lavender, raspberries, rainbows, strawberries and peppermint’. Douleur isn’t child’s play, though it encompasses a similar level of blue-sky thinking.

 

I’ve seen the opening described a few times as ‘piercing’ and on spraying that is exactly the word. It’s a penetrating combination of everything that is to come but at the highest possible pitch and all at once. It’s as if the contents of the sample which seemed to be pulsating in my bag had been squirming to be set free and once the sprayer is depressed, every note hurtles for freedom.

Once it settles after a couple of minutes, the core of Douleur is revealed as rose oxide which is a material both Freddie and Antonio are fond of. You usually hear it referred to as a metallic rose but while I get that almost camphoric steeliness, my nose reads it more as a rose surrounded by bitter greens. This red bloom wrapped in vines is counterbalanced by wisps of candyfloss and a hint of dried seaweed saltiness.,
Over tume it softens and rounds out considerably as the comforting presence of benzoin in the base comes throigh. The various contrasts knit together and it smells like a ‘proper’, if uncommon, perfume with a mix of hot/cold, hard/soft and bitter/sweet facets.

It does indeed stick to the skin like a tattoo and billows out in waves, ensuring a devastating scent trail.

Antoni says “experiencing odours should be challenging and playful” and that’s exactly what trying Douleur is like. It takes me back to the time when I first got into perfume and inhaling something new was always exciting and interesting, even if it wasn’t to my usual taste.

We can get trapped in our comfort zones. Douleur has come to shake things up.

 

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Do you find yourself only sampling perfumes that are in line with what you know you already like? Would you give Douleur a try?

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Galop d’ Hermes

Notes: Saffron, Quince, Rose, Osmanthus, Leather and Musks

 

Christina Nagel’s Twilly was chic with just right amount of quirk and her additions to the Hermessence line have been stellar, with my particular favourite being the radiant jasmine, Cedre Sambac. The oils are exquisite and if I had the budget, I’d purchase Musc Pallida in a heartbeat. The 2016 release of Galop continued the trend and lies somewhere between the two in terms of availability and price point.

Val the Cookie Queen fell hard for Galop and kindly gifted me with a large decant last winter. I’ve nearly drained it.

Let’s start by taking a look at that fabulous stirrup bottle…

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Galop has a very striking olfactory colour palette. To my mind it’s petal pink and saffron orange.  It is only available in Parfum concentration which, of course, has excellent lasting power but also retains a transparency that is very much in the classic style of the previous in-house perfumer, Jean Claude Ellena.

I never tire of the saffron, quince and rose accord. It’s masterfully crafted with no facet being out of kilter. The tart quince counters the sweetness of the rose and the savoury saffron bathes the whole composition in golden light.  It just sings. The saffron has a substantial presence but it’s not as pungent as it can be. I’m generally fond of it as a note but can find it overwhelming. Here it is perfectly pitched, gloriously bright and full but not too spicy.

The rose heart is pure pink, softly sweet and very pretty. It’s poles apart from a dark, sultry red rose. There is also a mouth-watering, juicy fruitiness which I imagine is coming from peachy osmanthus.

Hermes started making riding acoutremonts and so there is often a nod to leather in their fragrances. It’s present here but to my nose it’s more like blush suede.

Galop has just the right amount of tension between sweet and sour and this makes it moreish.

One perfume that I constantly turn to during spring/summer is Vaara by Penhaligon’s. It has a similar saffron/quince/rose combination but a lot lighter (EdP strength) and lacks any leather. Where Vaara dries done to a soft rose, Galop’s development doesn’t have any clear demarcations. The saffron merely becomes calmer and creamier.

It’s a fragrance I pick up in a hurry with the confidence that it always feels right. I can see Galop being the same only on a whole other level of elegance, complexity and quality.

I’ll have to content myself with the Penhaligon’s fragrance until I have the funds for the Hermes.

 

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Do you like saffron in fragrances? Have you tried Galop?

 

 

 

 

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Lustre by Hiram Green

“Life is golden” – Hiram Green

 

Notes: Bulgarian Rose, Citrus, Orris and Olibanum

 

Hiram Green’s strikingly dark and moody Hyde recently won the Artisan Perfume Award at the Art & Olfaction Awards in Amsterdam. It was the worthiest of winners. Hiram is an uncommon talent using naturals to create compositions of great sophistication and complexity.

At Esxence this year he surprised everyone by unveiling a brand new rose soliflore: Lustre.

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However stunning a rose perfume may be, it rarely smells like the real thing. Lustre does. It’s the pure perfume you get when you poke your nose into the heart of the open flower. We had a rose garden when I was growing up and it’s a joy to find this scent captured so beautifully: A true bottled rose.  Not to say that this is a simplistic natural concoction. It is an expertly crafted, well-rounded, fine fragrance.

The sweet scent of the Bulgarian rose is there (of course) but it is edged with citrus tartness. There is something lemony about the scent of real roses and it’s present here, most notably in the opening.

From looking at the notes you may expect to find prominent iris and incense.  I can clearly pick up on the resinous tones of olibanum if I get in close and sometimes I sense iris powder. However, the supporting accords are chiefly working together behind the scenes to create this vivid illusion of a rose in full bloom. Somehow Hiram found a way to do this without relying heavily on tried and tested  materials like patchouli, geranium or vetiver. 

Where Hyde is night, Lustre is day. It is a fresh summer rose bathed in golden sunlight, as heat begins to warm the petals and releases its scent.  Its radiance is a pleasure in itself and it takes a considerable amount of time to die down completely. It encompasses the flower’s multi-faceted aroma and makes it seem as if one has suddenly bloomed somewhere close by.

Lustre proves how a linear soliflore can retain your attention. It’s captivating when a fragrance unfolds on the skin and develops in distinct stages, moving through head, heart and base. But then a perfume will come along to remind me that blanket preferences can’t be set in stone. Lustre is rose, rose, rose and I don’t tire of it because of its depth and beauty. The intrigue is vertical, rather than horizontal. You can reach down, layer after layer, petal after petal and experience a world of rose in a single inhalation.

 

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Do you like the idea of a sunlit garden rose?

 

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Mood Scent 4: Scents of Place

 

It’s Mood Scent time again! Today, Megan, Sam and I are picking perfumes that remind or connect us with the place we live or have lived in the past. There are so many fragrances and entire brands devoted to geographical locations, but there are also perfumes that evoke a particular area for other reasons. It’s a personal resonance and I’m looking forward to reading which fragrances my blogging pals based in Wales and France have chosen to represent their home. Hopefully Esperanza will be up to joining us for our next post in August.

 

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London by Gallivant Perfumes

Cucumber, Rose de Mai absolute, Leather

I’ve lived in the capital my whole life so I’ve chosen two perfumes that represent it. This city of mine is a quirky one and Gallivant have made a perfume to match. London is a light, rosy leather with a twist – an aquatic top note that you might not expect to work but somehow does. It captures the eccentric side of the city where everyone is free to express themselves in whatever way they choose. It’s one of the things I am most proud of about my hometown. This unique perfume was a finalist in the 2018 Art and Olfaction Awards for good reason.

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Wood Sage & Sea Salt by Jo Malone

Ambrette Seed, Sea Salt, Sage, Red Algae and Grapefruit

While I might not be naturally drawn to Jo Malone’s clean and tasteful output, this 2014 release made an impression on me for its evocation of the British coastline. It was composed by Christina Nagel who is doing a stellar job over at Hermes after taking over from Jean-Clause Ellena. It represents in scent a windswept shore rather than the more familiar tropical beach fragrance. Wood Sage & Sea Salt starts with citrus moving through light woods with gentle greenery and ending with a salty/sweet amber in the vein of Eau de Merveilles. It’s successful in bringing to mind the flashes of sunshine and salty breeze I used to get when visiting a British seaside town out of season with my family as a child.

 

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Vaara by Penhaligon’s

Quince, Rosewater, Carrot Seed, Coriander Seed, Saffron, Moroccan Rose Absolute, Bulgarian Rose Oil, Freesia, Indian Magnolia, Peony, Iris, Honey, White Musk, Cedarwood, Sandalwood, Benzoin Resin, Tonka Bean

I can’t write about London without taking into the account the multicultural mix that I am a product of. My mother came to Britian in the 1950s with the rest of her Angl0-Indian family from Bangalore. They moved into a house in Willesden and when she married my English father, they bought a house in west London. I’ve grown up in a mixed race family and still live in this terrifically diverse city. I therefore have to include a perfume that reflects this and I happen to own and love Vaara. Penhaligon’s is a quintessentially English brand that have created a Western perfume inspired by India. It’s a light, sunny Anglo-Indian rose fragrance with gorgeous splashes of quince, saffron and carrot seed.

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Dryad by Papillon Perfumes

Narcissus. Oakmoss. Jonquil. Cedrat. Galbanum. Benzoin. Vetiver.

Moving out of the city into the British countryside is a joy and I love it whenever I get a chance to trample through a forest or woodland. What’s great about Dryad is that it is more than a literal interpretation of the ancient forest in Southern England that inspired it. It starts out with a galbanum note that is a photoreal expression of being immersed in the lush vegetation of this green and pleasant land.  However it is embedded in a magnificently complex chypre with a base of oakmoss and oriental leanings which give it a glorious antique feel.

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Have a look at the Scents of Place from my partners at Megan In Sainte Maxime and I Scent You A Day.

 

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Is there a perfume that you associate with your part of the world?

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ANIMA VINCI: “Fragrances Designed to Awaken the Spirit Within”

 

By Val the Cookie Queen from APJ

 

As some of you may have read in my last post, I recently spent a few hours with Nathalie Vinciguerra Founder and CEO of Anima Vinci Perfumes, formerly the Creative Fragrance Director of Penhaligon’s and L’Artisan. One could say she knows her stuff. Inside out.

 

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It was The Candy Perfume Boy that first brought Anima Vinci to my attention, and to be with both him and Nathalie in London, to sniff through the line was a privilege and a great pleasure. Both of their enthusiasm and love for the brand was infectious.

 

 

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There are five fragrances in the initial Anima Vinci collection.

 

Wood of Life by Michel Roudnitska

Bergamot, mandarin, grapefruit, mint, blue ginger, ylang ylang, rose, petitgrain, cinnamon, cloves, sandalwood, vetiver, patchouli, piri piri, palo santo, leather note, musk, vanilla.

Mellow, woody, smooth, soothing, quiet, but that is not to say unnoticeable. This perfume contains the material “piri piri“ seldom, if ever used before in a fragrance. The South Americans have drunk it as a tea for centuries, as a means of entering a dream like state, and for creating a calming and sedating effect. Perhaps this is what induces the feeling of tranquillity in Wood of Life. A distinctive and elegant fragrance.

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Lime Spirit by Christiano Provenzano

Bergamot, orange, citrus fusion, mandarin, black pepper, neroli, ginger, lavender, hedione, pink pepper, cardamom, pepperwood fusion, amber, cedarwood, moss, patchouli, vetiver, sandalwood, tonka, leather, benzoin, musk.

Opening with a stimulating and restoring burst of citrus, reminiscent of a cross between an Opal Fruit and Rose´s Lime Cordial, it is pure pleasure. Diving into the heart we find a multitude of colourful spices, enhancing the revitalizing effect of the citrus opening. Unlike the cologne you might be tricked into thinking it is, it all rests on a bed of leather, tonka, amber… Lime and leather? Absolutely.

 

Jasmine Yang by Thomas Fontaine

Mandarin, yuzu, pink pepper, solar flowers, water jasmine, frangipani, ylang ylang. sandalwood, ambergris, patchouli, vanilla, white musk.

This is my most worn of the five as I have a bottle in my collection. It is a white floral, but think more along the lines of a white floral for yoga and meditation. It dos not scream. The jasmine cossets your skin, sweetening your emotions, relaxing your mood. Jasmine blossom is offered to the Gods and Goddesses in the Hindu faith. Opening with a mandarin and pink pepper flash, the jasmine is there from the start, enhanced in the heart with ylang-ylang and frangipani. It rests on sandalwood, ambergris, patchouli …… and is utterly delectable.

 

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Oud Delight by Christian Provenzano

Bergamot, lemon. cinnamon, clove, ginger, saffron, coriander seed, ylang ylang, rose, olibanum, sandalwood, oud, patchouli, tonka, labdanum, vetiver, musk, amber.

As Nathalie introduced me to the Oud Delight, she commented that no collection is complete without an oud fragrance. Oud is no longer a phase, it will remain. Oud Delight opens with a strengthening bergamot and citrus accord, before smoothly going into a spicy heart, the oud apparent, but not overpowering. It is anchored into the base along with sandalwood, labdanum, amber …..Tranquil.

 

Rose Prana by Randa Hamami

Violets leaves, verbena, pink pepper, Centifolia rose, oak moss, woody accord, vetiver, patchouli, white musk.

It was The Candy Perfume Boy saying that Rose Prana was one of the most gorgeous roses ever that sparked my interest and the subsequent meeting of Nathalie. I love rose, but only have a couple in my collection. Rose Prana is absolutely ravishing. Rose: Sensual, love, enlightenment, calming, nourishing, rejuvenating, stimulating, restoring. Rose Prana is clear, sweet and with light notes of honey. Divine. I crave a bottle of this.

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All beautifully constructed, modernistic perfumes. An absolute joy.

Anima Vinci offer a perfect discovery set. 5 x 1.5 mls, and it includes a stack of scent strips and a very informative leaflet. You also receive a fifteen pound voucher to redeem if you choose to purchase a bottle. The discovery set is ten pounds plus postage.

 

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For more details and a lot more information on the Anima Vinci house, go check them out here.

With great thanks to Nathalie for the fantastic day that we had together, for the black cab ride, excellent tea and sunstroke.

Om Bussis
CQ

 

 

 

 

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Parfum de Maroc & Velvet Tuberose by Aftelier Perfumes

This is a busy but special time at Aftelier Perfumes HQ in Berkley, California. A lot of work is put into their annual Christmas store/party and there are special fragrant creations for the holidays.

Artisan, natural perfumer Mandy Aftel has released two 9ml EdP pocket sprays for Christmas, namely Bergamoss and Parfum de Maroc  (both $60).  Mandy was inspired to re-issue Parfum de Maroc by our Portia. How cool is that?

 

Parfum de Maroc

Notes: Saffron, Galangal, Turkish Rose, Nutmeg, Cardamom, Myrrh

Although it wasn’t originally created for the festive season, Parfum de Maroc is a great fit for this time of year. It was actually inspired by an ancient Moroccan spice recipe ‘Ras el Hanout’ but its combination of rose, orange and spices really enhances the Christmas spirit.

The pretty rose at its heart is made fruity by bitter orange, which in turn is studded with pomander spices of nutmeg and cardamom. There is a lightness to the composition that makes it full of joyful anticipation. The spices are softened beautifully by the rose, making for a gently spicy, gourmand floral.

 

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Velvet Tuberose

Notes : Pink Grapefruit, Grand Fir, Transparent Florals, Tuberose Absolute, Heady White Flowers, Creamy Sandalwood, Damp Earth, Spun Sugar

For tuberose lovers who really want to spoil themselves with something truly special this Christmas, there’s Velvet Tuberose solid perfume ($240).  For some time, Mandy has wanted to create a solid tuberose perfume which highlights its luscious, sumptuous feel and stays close to the body. If you’ve only ever tried synthetic tuberose fragrances, the scent of the natural absolute used here is very different.

Velvet Tuberose emphasises the creamy, luxurious feel of tuberose as well as its more familiar narcotic and sensuous facets. It is supported by forest notes and rare mitti attar: a traditional aromatic essence of baked earth distilled into sandalwood.  I’ve rarely experienced such a gorgeous tuberose fragrance; it’s floral, sweetened and rather romantic.

The carrier for the scent is organic coconut oil and it is presented in a handmade sterling silver compact.

 

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I also have to mention that Mandy has created two new Face & Body Balms in 15ml tins for the holidays because they both sound lovely.

 

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Frankincense Face & Body Balm contains two types of the resin which is known for its healing and anti-inflammatory properties. Rose Face & Body Balm contains Turkish rose absolute and Bulgarian rose wax which are combined with moisturising squalene and nourishing sea buckthorn berry oil ($35 each).

 

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Are you treating yourself to anything fragrant this festive season?

 

 

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Rose Omeyyade, Iris Fauve and Cuir Sacré by Atelier des Ors

My mate Megan of the excellent blog Megan in Sainte Maxime was kind enough to send me some samples from French niche brand, Atelier des Ors, which launched in 2015. As pleased as I was to receive them, for some reason I didn’t rush to spray.

The bottles are beautifully faceted and contain juice with floating flecks of gold leaf, but I leans more towards an artisan aesthetic. I also had the impression that the compositions were skewed towards the oriental, which I have a poor track record with. I finally got over myself and tried the three which focus on notes I gravitate towards: rose, iris and leather.

 

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Rose Omeyyade

Top notes: Raspberry, Rose, Pink Pepper
Middle notes: Patchouli, Brown Sugar, Guaiac Wood
Base notes: Amber, Sandalwood, Oud

I’d describe Rose Omeyyade is a slightly jammy, almost boozy, softly spiced, rose-centred fragrance.  Sweet but not sickeningly so, the raspberry brings out the fruity facet of the rose, placing it on the verge of gourmand. I keep noticing something like spicy incense, which I’m putting down to the pink pepper combined with guaiac wood.  This is very much a composition based around a prominent rose note, rather than a rose soliflore.

The oud is mildly skanky which makes a nice change from the plethora of sanitised versions out there. It also gives the fragrance a bit of edge. In the drydown the woods become a little too persistent for me, however if you are fond of ‘east meets west’ rosy perfumes, you should give Rose Omeyyade a spin.

 

Iris Fauve

Top notes: Bergamot, Cinnamon, Iris
Middle notes: Patchouli, Haitian Vetiver, Cypriol oil.
Base notes: Myrrh, Musk, Labdanum, Liatris (Deerstongue/Wild Vanilla)

Iris Fauve was released this year and turns out to be a pussy cat rather than the beast its name suggests. After a bright bergamot opening, it becomes smooth and fuzzy with pillowy iris atop a bed of ambrette-style musk.  Usually irises are cool and metallic, rooty or cosmetic but here it’s in my favourite mode; warm, sensual and somewhat doughy. The overall texture is suede-like but without any hint of leather present.

Cinnamon can be harsh and anti-social but here it plays nice and mixes well. There’s a lick of liquorice in the drydown from the myrrh but nothing forceful. It’s said to “drape the skin like a soft and reassuring caress” and it does indeed stay close to the body.  In short, Iris Fauve is a welcome addition to that small subset of warm iris fragrances.

 

Cuir Sacré

Top notes: Juniper Berries, Cypress, Cardamom
Middle notes: Incense, Saffron, Cedar Needles
Base notes: Leather, Vetiver

Not only do I generally love saffron notes in perfume but my favourite discontinued leather fragrance Cuir de Lancôme contains creamy saffron wrapped-up in buttery suede. Therefore it’s unsurprising that I really enjoy the strong saffron opening of Cuir Sacré. Most spices are not my friend but the orange-gold of saffron with its floralacy is something else entirely. It speaks of luxury and seems to pair brilliantly with more austere accords.

The leather is super smooth and refined rather than rough and tarry. It’s not all about sleek upholstered interiors though. There is a distinct aromatic accord unwinding throughout that is evocative of dark green pine forests which, along with the saffron, lifts it above most of the niche leathers currently available. If I wasn’t in the mood for my usual birch tar, smoky leather I’d certainly go for Cuir Sacré.

 

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Have you tried any of the fragrances from Atelier des Ors? What are your thoughts and favourites?

 

Photo credit: zastavki.com

 

 

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In Rotation: Spring 2017

My perfume choices have been all over the places lately thanks to the changeable weather we’ve been experiencing in the UK this spring. As I write this on Monday 10th April, yesterday was 25 degrees Celsius. For that one day heatwave, I spritzed Dita Von Teese EdP for its tropical flowers, hint of spice and oriental-lite base. Today, it’s back down to 15°C so I’m returning to usual perfume programming which currently consists of the following: –

 

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Vaara, Penhaligon’s

Notes: Quince, Rose Water, Carrot Seeds, Coriander, Saffron, Rose, Freesia, Magnolia, Peony, Honey, White Musk, Cedar, Sandalwood, Benzoin and Tonka Bean.

On mild spring days I’ve been testing out my bottle of Vaara. I bought it when a friend was selling off her perfumes and I picked it up for not very much at all. Still, I’ve been re-assessing my collection, spurred on by Vanessa’s brilliant 20 ‘desert island’ scents post and wanted to check that it warranted a place on my shelf. So far so good. The fabulously unique start of quince, saffron, carrot seed and sparkling rosewater hangs around much longer than I feared, before moving into the rosy heart.

 

28 La Pausa, Chanel

Notes: I can’t find a notes list, but there is A LOT of Iris Pallida.

This huge 200ml bottle was generously gifted to me by the same friend I bought Vaara from.  It’s the original EdT which is no longer available.  Val the Cookie Queen and I tried out the new EdP last year and although it got off to great iris start, it all too quickly dried to down to a squeaky clean vetiver. Maybe the Parfum formulation is a better though. Unlike a lot of people, I’m fortunate in that the EdT lasts reasonably well on me.  This elegant iris feels just right for early spring with its floral-woody character and silky, slightly powdery texture.  28 La Pausa is the refined orris choice.

 

Antonia, Puredistance

Notes: Jasmine, Rose Essence, Ylang Ylang, Orris, Ivy, Galbanum, Vanilla and Vetiver.

Green florals like Antonia are another staple for me when March finally comes around. It’s luxurious, sun-lit and incredibly well blended. Quite a few green fragrances have a rather mealy-mouthed character, owing to the unforgiving nature of galbanum. However, Antonia is lusciously full-bodied and surprisingly warm. This spring goddess is resplendent in emerald with delicate flowers laced through her hair. Thanks to B for my bottle.

 

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What fragrances have you been wearing lately?

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Fragranced Organic Teas by Aftelier Perfumes

After I shared a surprisingly popular post about tea a couple of weeks ago, the wonderful indie perfumer Mandy Aftel kindly sent me samples from her own tea collection. I was thrilled and had a fine time trying each one.

 

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I drank them without milk and without sugar (on my first cup at least) to get the true taste. All four teas are organic and use edible essential oils and absolutes on a base of premium tea leaves. Depending on what method of infusion you use, on the first steeping you can watch the leaves unfurl in the water. You can also re-infuse them several times, which is great. Below are my impressions of each variety.tea-roseginger-2tOolong Tea Rose & Ginger 

This organic Tieguanyin oolong tea from Taiwan is infused with Mandy’s Chef Essences of Turkish Rose and Fresh Ginger. I thought I didn’t like floral teas, however either rose is an exception or this tea is so subtly flavoured/scented it’s a joy. I was also concerned the ginger might be overpowering but it added a lovely gingerbread background warmth. I think I might struggle with straight-up oolong but this combination of flavours gives it body and make it work beautifully for me. Now I’m looking forward to trying more rose flavoured teas.

Black Tea Cardamom & Orange

I love the scent of black tea, cardamom and orange so it’s no surprise that this turned out to be a hit with me. The cardamom comes through more than the orange but it’s a gentle backnote to the tea itself which is full, rounded and satisfying in the way black tea usually is for me. According to the website this is “Organic Red Pearls Black Tea, a rare tea from Fujian, is fully-oxidized Mao Feng tea leaves that have been rolled into small black pearls. They are then pan-fired where they develop a burnished sheen, toasty caramel-like aroma, and spicy, assertive — yet wonderfully sweet — flavor.”

Oolong Tea Frankincense GABA

An incense tea! I love incense so this was a novel and fun experience for me. The scent is fantastically resinous, rather than smoky and it’s the fullest oolong tea I can imagine.  The oolong tea from Taiwan has fruit and honey notes and is infused with hojary incense. GABA is a natural enzyme that calms and relaxes which is a definite plus. You’d think it might feel strange drinking incense but doesn’t. It’s perfect for de-stressing after work on a cold winter’s evening.

Aged Pu’erh in Tangerine Peel

Until late last year I hadn’t even heard of Pu’erh. It’s actually a fermented tea from Yunnan, China. Here, the leaves are packed into the rind of a whole tangerine.and aged for four years. They take on the flavour of the tangerine and the citrus is enhanced further by the addition of Mandy’s Yellow Mandarin Chef’s Essence. I found the unique scent very comforting.  It’s earthy and rubbery and laced delicately with citrus. Perhaps surprisingly, this tea is really refreshing and I found it easy to drink without sugar, which is rare. I also love that it comes in the tangerine peel.

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Each tea composition is expertly balanced with essences and absolutes that complement and enhance the leaves; never overwhelming them.  They are clearly created with the same care and artistry as the Aftelier perfumes. They’ve brought home to me just how closely smell and taste are connected and how making a cup of tea can become, in Mandy’s own words, “a time-stopping pleasure” during a demanding day.

 

Do you like the sound of any of Mandy’s teas? Are there any scented teas you currently enjoy?

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Memento Mori by Aftelier Perfumes

 

Love and loss…

 

Top Notes: Butter, Orris, Phenylacetic Acid

Middle Notes: Turkish Rose Absolute, Phenylethyl Alcohol

Base Notes: Beta Ionone, Ambreine, Ambergris, Antique Civet, Patchoulyl Acetate (a patchouli isolate)

 

Memento mori, “remember that you have to die”, is a Latin expression that dates back to Ancient Rome. We can get so wrapped up in the trivial trials and tribulations of our day to day lives we forget that life is short and most of what we worry about is not worth the torment.

A memento mori is something that reminds us of our mortality, inspiring us to make the most of life. The concept has been translated into many art forms including paintings, music, ceramics and literature.

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Since the Middle Ages people have worn memento mori mourning jewellery to remind them of lost loved ones. Rather than being morbid, these were tokens of love which allowed the wearer to hold on to the memory of their dearly departed.  In the perfume Memento Mori artisan perfumer Mandy Aftel portrays this idea in the form of fragrance.  It’s a thought-provoking concept which has been just as  thoughtfully executed.

Memento Mori captures the aroma of the lost lover. Mandy uses musk, butter, the doughy facet of orris and the earthy, mushroom-y facet of woody violets to create the idea of skin. The soft rose adds a pink blush.

She manages to give the scent an unusual lived-in, very human, quality with the warm, ripe smell of an unwashed body. It’s about body heat and someone’s unadorned natural smell rather than anything sexual.

As time ticks on and the pain of grief begins to fade, the fragrance reveals a tender layer of powdery pastel florals. The retro combination of iris/rose seems to reflect the sweet memories the separated lovers shared.  While I find the first stage challenging, this is a classic accord I really love.

In the base, warmth radiates through amber and patchouli while the musk gently lingers on and imparts a feeling of comfort. The bereaved is consoled by the realisation that though we must die, our love does not.

aftelier-memento-s

 

The carrier for the fragrance is a blend of fractionated coconut oil and organic alcohol so that it is fittingly clinging.  I found it has more lift than many all-natural perfumes and that the lasting power is actually better than most synthetics.

Mandy says that Memento Mori was a deeply personal creation for her and I can understand why. It takes courage for any artist to share something so intimate with the world but I find that when they do it is all the more meaningful for it.

Memento Mori is a meditation on love and loss you need time and space to fully experience and appreciate it.  It’s an evolving art-piece as affecting and detailed as any of those other wearable tokens of remembrance and just as emotionally charged.

 

all-is-vanity

Memento mori optical illusion painting “All Is Vanity” by Charles Allan Gilbert

 

Do you have a perfume that reminds you of someone important to you?

 

 

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