Tag Archives: Galbanum

Vintage Chanel No.19

Notes: Galbanum, Bergamot, Neroli, Iris, Rose, Lily of the Valley, Jasmine, Leather, Vetiver, Sandalwood and Musk.

I was surprised when Lila (formerly of Perfume Lovers London) said that Chanel’s No.19 was her comfort scent. I had the impression that it was rather austere and aloof. Iris and galbanum with their cooling breeze aren’t most people’s idea of cosy.

Then last summer I had the opportunity to try the vintage EdT and Parfum from Portia’s extensive perfume collection. These were a very different experience to the modern incarnations. I was immediately swooning and bought both bottles.
No.19 was launched in 1970 and the perfumer was Henri Robert who also composed Cristalle and Pour Monsieur for Chanel.

Now winter is behind us, I’m wearing it day after day and I never seem to tire of it. I have even come to find it comforting – not in a cosseting way but in a calming, steadfast way.

It might seem superficially tender with its soft, airy aura of new shoots and delicate flowers but first looks can be deceiving. Like all the greats, it has a distinct personality. No.19 feels willowy yet unshakeable: you can rely on her to possess grace under fire. Her roots go deep into the ground. She has a quiet, inner confidence that feels like an olfactory safety net.

Aldehydes may not be listed but I sense something like them in the vintage versions. The body of the perfume is draped in a cocoon of silk. What really marks this out as belonging to another era however, is the presence of oakmoss. It’s lamented by perfume people for a reason. It’s such a rich, complex material with great depth and a dash of black magic.

Galbanum is such a tricky note. While I like the idea of green stems in theory, when it’s a major part of a perfume I often find it too sharp and harsh, overwhelming the rest of the composition. However, this is Chanel galbanum which is quite a different beast. It must be about as smooth and refined as galbanum can get.

No.19 is an incredibly cohesive fragrance. Every aspect feels streamlined and in harmony. The iris is bound up with the other chief accords and I picture green, blue and white intertwining strands. The base is a pleasing contrast of soft woods, earthy vetiver, low-key leather and feline musks.

Even though I enjoy the EdT, the Parfum is incomparable. It really blooms into a lush, slightly powdery, haze on the skin that has a similar feel to Chamade by Guerlain. The galbanum is also taken to another level to the point where it’s practically green syrup. It is eye-rollingly gorgeous.

Like spring, No.19 gives me hope. There is a chance of renewal after the bleakness of winter. An inner strength that was always there throughout the dark times surges to the surface when there is no longer a need to take cover. It is the chance to live rather than merely survive.

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How do you feel about No.19?

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Miss Dior Vintage Parfum by Dior

Top: Aldehydes, Gardenia, Galbanum, Clary Sage, Bergamot
Heart: Carnation, Iris, Jasmine, Neroli, Lily-of-the-Valley, Rose, Narcissus
Base: Labdanum, Leather, Sandalwood, Amber, Patchouli, Oakmoss, Vetiver

 

I feel foolish because for years old-school Miss Dior never appealed to me enough to try it. It wasn’t just that there have been countless reformulations over the years or the risk of falling for a vintage gem. To be honest, I think it was the word ‘Miss’ in its name and the association with the ultra-feminine full skirts of Christian Dior’s ‘New Look’ of 1947 – the year of its release.  I assumed Miss Dior wasn’t for me, that it would be too prim and proper.

Now I’ve experienced the wonder that is vintage Miss Dior Parfum (thanks to Miss Portia) I couldn’t have been more wrong. I can see there is a kind of houndstooth smartness to classic Miss Dior but oh, there is so much more to this iconic chypre under its pristine surface.

It’s one of those perfumes that is incredibly cohesive, so tightly woven, that it has a distinct character and persona all its own. This makes it rather tricky to unpick and separate into its constituent parts, but we shall see…

 

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Vintage Miss Dior is glorious from the start. It’s all there; the green-veiled florals with that unmistakable backing of real-deal oakmoss which, along with labdanum and patchouli, give it that addictive chypre tang.

The aldehydes are whisper soft, no doubt because the juice is several decades old. Copious galbanum can make a fragrance come across as steely, but here the austere queen of green is softened by waxy garlands of gardenia flowers.

Perhaps what strikes me most is the fragrance’s texture.  The floral heart is set against a backdrop which Neil of The Black Narcissus described perfectly as “tweedy”. The weave and waft of the original Miss Dior has a cross-hatched grain that I see in shades of dark brown, slate grey and forest green, relieved by flecks of white.

It doesn’t take long – about an hour – for a thread of castoreum-style musk to unravel from the whole and make its presence known. There is a hidden filth scene behind the façade of respectability.  I covet this kind of contrast because it creates intrigue and true allure. This only deepens through its development.

Down in the base, a leather of the super strict variety is revealed. The provocative mixture of cool oakmoss, animalic musk and hard leather is the last thing you’d expect under that crisp, buttoned-up exterior.

Miss Dior never has to take her gloves off in order to put others in their place: just being around her makes everyone mind their manners and sit up a little straighter. It’s an irresistible combination of seductiveness and no-nonsense.

What may at first look appear to be schoolmarmish frigidity is actually leather-bound suggestiveness masked by a show of propriety.

Miss Dior is fragrant subversion of the most elegant kind.

 

 

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Do you adore vintage Miss Dior? How does the current Miss Dior Originale compare?

 

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In Rotation – Autumn 2017

It’s autumn in the UK and I’m really enjoying wearing my two favourite releases of this year (practically non-stop). They are both by artisan perfumers whose work exhibits great depth and attention to detail. As different as they are, each fragrance feels perfect for this time of year.

I spent a few days at a forest lodge in Scotland earlier in the month and the autumnal countryside was stunning. The scents of green leaves, woodsmoke and damp earth filled the air.

 

 

Dryad by Papillon Perfumes

Narcissus, Oakmoss, Jonquil, Costus, Galbanum, Clary Sage, Deer Tongue, Cedrat, Benzoin, Lavender, Thyme and Orris

Liz Moores is very connected to nature in all its forms, so it’s no wonder she should see the soul in a tree and create a perfume in its honour: Dryad. Bitter greens are crushed underfoot as the woodland becomes denser and darker. The drydown has the glorious feel of a vintage oakmoss chypre. Green perfumes are rarely this complex or classy. Wear it while wistfully wishing you lived in the forest, or kicking up leaves walking through the park.

 

Naja by Vero Profumo

Osmanthus absolute, melon, linden blossom, tobacco

The green in Naja is a neon bright lime.  It starts out like juice, then blossom and finally powder. This provides an overlay to the palest blond tabacco which feels just right for these damp days with a hint of bonfire in the air. Naja is a perfume full of contradictions that exist side by side. It is body and spirit, dissonance and harmony, purity and poison. Wear it to weave protection spells and cast out evil. It’s the perfect perfume for the run-up to Halloween.

 

Coromandel by Chanel 

Bitter Orange, Neroli, Jasmine, Rose, Orris, Patchouli, White Chocolate, Vanilla, Woods, Incense

While I’m wearing Dryad and Naja on skin, I’m also wearing Coromandel on fabric. It’s my favourite scarf perfume. I sprayed it onto the front of my long black cotton scarf once I’d wound it round my neck.  The luxe patchouli works really well when you can catch wafts of it as you walk. I have the EdT version which has wisps of incense which show up in mild weather.  It really complements both Dryad and Naja. Wear it to amplify and complement the wonderfully musty aromas of autumn in a super chic way.

 

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What fragrances have you been turning to lately?

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Mainstream Perfumes – Mood Scent 4

Welcome to the latest instalment in the Mood Scent 4 blogging project. (If you missed the previous posts they were about Rainy Day Perfumes and Wedding Guest Perfumes). Today, my fellow bloggers and I are sharing our mainstream perfume picks.

Ninety-nine percent of the time I write about – and wear – fragrances other than those from the mainstream. When I fell down the rabbit-hole I snubbed my previous ‘duty free’ choices in favour of niche and high-end boutique fragrances such as Les Exclusifs de Chanel.

Now I’m coming full circle. The niche perfumes – generally starting at £150 for 50ml – are becoming more and more unremarkable. I’m starting to re-assess and re-appreciate what is available on the high street.

I’ve limited my choices below to the fragrances available at my local Beauty Base.

 

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Infusion d’Iris L’Absolue EDP by Prada

Notes: Neroli, orange blossom, iris, mastic, benzoin, tonka bean, vanilla and white musk.

The original Infustion d’Iris is great; a wash of light blue with a flash of orange and tints of green. However my preferred version is L’Absolue which takes it to whole other level. As the name suggests, the iris is beefed-up with a nice dose of rootiness and an improved amount of throw. I love iris but it’s hard to find high quality, straight-up versions at your local perfume emporium. This is a total winner.

 

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Agent Provocateur (AP Signature) by Agent Provocateur 

Notes: Saffron, rose, jasmine, magnolia, coriander, vetiver, amber and musk.

My sister used to wear this and it was fantastic on her. Agent Provocateur is a fresh, blush rose wrapped in a big, fluffy cloud. It’s pleasing when a perfume fits the brand perfectly, the way it does here. The scent is a boudoir mist of rosy powder and femininity. I don’t get anything animalistic from it. To me it’s a coquettish, girlie perfume, in the best way. If you search online, you can get it for a song.

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No.19 EdP by Chanel

Notes: Green notes, bergamot, rose, iris, vetiver, oakmoss and leather.

No.19 is old-school chic at its finest. Can you think of two more rarefied materials than iris and galbanum? The soft aldehydes at early doors settle down to a gently powdery finish. When you put this on, don’t be surprised to find yourself standing a little taller. I liked the Poudré version but it lasted all of 30 minutes on me. Apparently the EdP is not merely a different concentration but a reinterpretation. The high street doesn’t get much classier.

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Eau des Merveilles by Hermes

During summer, it’s tempting to reach for a fragrance which makes you feel like you’ve spent the day on the beach. Eau des Merveilles combines salty skin with joy inducing orange. The scent dries down to a hollowed-out woody amber which takes its lead from ambergris rather than oriental amber. I find its tenacity a little wearing after a while but it’s a good alternative to the usual coconut-heavy, ‘resort perfumes’.

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Encre Noire by Lalique

There are quite a few great mainstream fragrances aimed at men, such as Terre de Hermes and Dior’s Eau SauvageEncre Noire is a forest vetiver loved by women as well as men. It’s wonderfully aromatic, opening up in a glade of pine trees before letting the smoky vetiver take centre-stage. You can read my full review of this and the flanker Encre Noire A L’Extreme here.

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Don’t miss the mainstream scents chosen by my pals at L’Esperessence, Megan In Sainte Maxime and I Scent You A Day.

 

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Which mainstream perfumes do you think are of note?

 

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Dryad by Papillon Perfumes

“My dryad hath her hiding place/Among ten thousand trees…”

– From The Dryad by Richard Le Gallienne (1866 – 1947)

 

Notes: Cedrat, Bigaradier Orange, Bergamot, Narcissus, Oakmoss, Jonquil, Clary Sage, Orange Blossom, Lavender, Orris, Vetiver, Thyme, Galbanum, Costus, Tarragon, Apricot, Benzoin, Peru Balsam, Deertongue, Styrax,

I’m fortunate to know artisan perfumer Liz Moores and while I can see facets of her character in Papillon’s other fragrances it feels like her fifth creation, Dryad, gets to the core of who she is.

If you follow Liz on social media, you’ll know that she spends a lot of her time nurturing animals (as well as children) and regularly shares the beauty of her surroundings in the New Forest.

Unlike most of us in this day and age, Liz seems to be living her life in sync with nature; celebrating the festivals that mark the changing of the seasons and noticing the waxing and waning of the moon.  She may be a glamour puss but I suspect she is an earth mother at heart.

This way of life must cultivate a great sense of connectedness with the natural world and I can feel that in DryadI tried an early mod of this forthcoming release during a visit to Papillon HQ last year, so I couldn’t wait to sample the final version which will be available from June. 

A dryad is a human-like tree nymph from Greek mythology and these shy creatures often inspired love and desire in the gods.

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Liz Moores with her equine soulmate, Perry.

 

As I enter Dryad’s mythical forest domain, I’m met with the unmistakable vivid green aroma of galbanum. Its usual astringency warmed by the sunshine of orange citrus and tamped down by an accord of leafy aromatic herbs.

Oakmoss forms the striking emerald carpet that is underfoot for the duration of the perfume’s development. No doubt this explains in large part why Dryad bears a resemblance to vintage Vol de Nuit parfum, as Claire astutely notes on Take One Thing Off.  Liz tells me that she was able to use a variety of oakmoss that is compliant, in very small amounts, with the IFRA regulations and then built it up with other supporting accords.

There’s something lurking just behind the trees (costus?) that prevents the scent from being entirely wholesome. It takes Dryad from what could have been light, bright and legible and turns it into something dappled, deep and mysterious. It seems to distil the very essence of an enchanted forest.

Dryad is not a fragrance with clear demarcations of head, heart and base but one of gradations, moving over time from sunlit green through to earthy brown. It’s a journey which takes the wearer from the edge of the forest to its shaded, sacred centre. Meandering through the ancient trees at a languid pace, it lasts for an extraordinary long time on skin.

Like Salome, Dryad is meticulously structured. It’s the kind of green chypre/oriental with a complex character and an old soul that’s rare to find these days.

A lecturer at university once remarked in a seminar that I always looked as if I were dreaming of some otherworldly place. Dryad actually takes me there.

 

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Picture credit: Dreaming Dryad by mariyaolshevska at DeviantArt

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In Rotation: Spring 2017

My perfume choices have been all over the places lately thanks to the changeable weather we’ve been experiencing in the UK this spring. As I write this on Monday 10th April, yesterday was 25 degrees Celsius. For that one day heatwave, I spritzed Dita Von Teese EdP for its tropical flowers, hint of spice and oriental-lite base. Today, it’s back down to 15°C so I’m returning to usual perfume programming which currently consists of the following: –

 

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Vaara, Penhaligon’s

Notes: Quince, Rose Water, Carrot Seeds, Coriander, Saffron, Rose, Freesia, Magnolia, Peony, Honey, White Musk, Cedar, Sandalwood, Benzoin and Tonka Bean.

On mild spring days I’ve been testing out my bottle of Vaara. I bought it when a friend was selling off her perfumes and I picked it up for not very much at all. Still, I’ve been re-assessing my collection, spurred on by Vanessa’s brilliant 20 ‘desert island’ scents post and wanted to check that it warranted a place on my shelf. So far so good. The fabulously unique start of quince, saffron, carrot seed and sparkling rosewater hangs around much longer than I feared, before moving into the rosy heart.

 

28 La Pausa, Chanel

Notes: I can’t find a notes list, but there is A LOT of Iris Pallida.

This huge 200ml bottle was generously gifted to me by the same friend I bought Vaara from.  It’s the original EdT which is no longer available.  Val the Cookie Queen and I tried out the new EdP last year and although it got off to great iris start, it all too quickly dried to down to a squeaky clean vetiver. Maybe the Parfum formulation is a better though. Unlike a lot of people, I’m fortunate in that the EdT lasts reasonably well on me.  This elegant iris feels just right for early spring with its floral-woody character and silky, slightly powdery texture.  28 La Pausa is the refined orris choice.

 

Antonia, Puredistance

Notes: Jasmine, Rose Essence, Ylang Ylang, Orris, Ivy, Galbanum, Vanilla and Vetiver.

Green florals like Antonia are another staple for me when March finally comes around. It’s luxurious, sun-lit and incredibly well blended. Quite a few green fragrances have a rather mealy-mouthed character, owing to the unforgiving nature of galbanum. However, Antonia is lusciously full-bodied and surprisingly warm. This spring goddess is resplendent in emerald with delicate flowers laced through her hair. Thanks to B for my bottle.

 

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What fragrances have you been wearing lately?

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Niki de Saint Phalle by Niki de Saint Phalle 

Unique green…

Top notes : artemisia, mint, green notes, peach and bergamot; Middle notes: carnation, patchouli, orris root, jasmine, ylang-ylang, cedar and rose; Base notes: leather, sandalwood, amber, musk and oakmoss.

The inimitable Portia of Australian Perfume Junkies brought this 1982 release to my attention and kindly sent me a sample when I expressed interest. I’m always on the lookout for interesting green fragrances which are more than simply light and fresh: Niki de Saint Phalle fits the bill.

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It’s funny, I can have trouble with powdery perfumes but the thin veil of green powder here feels just right. Truthfully, it doesn’t smell high-end but it does have an old-school vibe about it which I find appealing.

There is a tension between the tart greenness and the spring florals which works. It may have come out in the early 80s but it really belongs to the 70s – the era of the green chypre. This genre seems to be a thing of the past, though if the aquatic trend can make a comeback, anything is possible.

Niki de Saint Phalle does smell of another age and not as classy as No 19 say, but it does have an individual charm. There’s an uncompromising sour note in there that is refreshing and wakes up the senses. For someone so tired of the relentless sweetness in perfumery these days, I find it a welcome palate cleanser.

It will please those who are fond of galbanum; that chlorophyll-packed note found in Jacomo’s Silences, with which NdSP shares a kinship. The base is oakmoss-style chypre heaven and feels like a carpet of smooth moss under your bare feet. There’s also a very nice touch of ambery warmth. During this final stage, I inhale almost to the point of dizziness.

I found it really interesting and inspiring to read about the woman herself, while trying her fragrance. Niki de Saint Phalle was an artist who worked in a number of media. After suffering a nervous breakdown, she was encouraged to pursue her love of painting as a form of therapy. Her “Shooting Paintings”  of the early 1960s were bags of paint in human form covered in white plaster which she shot to create the image. She went on to make work which explored the female archetypes and women’s place in society.

In part inspired by Gaudi, she purchased some land in Tuscany to create a monumental sculpture park. This was 20 years in the making and The Tarot Park eventually opened in 1998. It looks like a surreal wonderland with her huge colourful works interspersed amongst the greenery of the trees and shrubs.

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It seems fitting that her fragrances is intense, uncompromising and striking, like de Saint Phalle and her art.

 

Do you have any interesting green fragrances to recommend? Have you tried Niki de Saint Phalle?

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Ostara by Penhaligon’s

The scent of spring…

 

Top notes: Clementine, Bergamot, Red Berries, Juniper, Spearmint, Blackcurrant Bud, Violet Leaf Absolute, Leafy Effects, Aldehydes

Middle notes: Hyacinth, Narcissus , Beeswax, Cyclamen, Ylang-Ylang, Hawthorn, Wisteria

Base notes: Vanilla, Benzoin, Musk, Amber, White Wood Effects

 

Ostara is the Goddess of spring and in Britain this season is synonymous with daffodils. Bright yellow, open-faced and standing tall, daffodils are the ultimate “happy flower”. They embody the qualities of joy, hope and optimism. For a long time I had a field of daffodils as my screensaver.

Superstar perfumer Bertrand Duchaufour was inspired to create Ostara by his childhood memories of the narcissus fields in Auvergne, France. I’d describe it as a green floral.

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Ostara wakes up cool and crisp with bight greens and just a touch of citrus. It echoes the fresh feeling of those early spring mornings, when the sun is shining but there’s still a bite in the air. In accordance with this, the fragrance has a touch of galbanum bitterness.

I know the scent of daffodils well and I must say Duchaufour has done a skilful job of capturing the aroma. To sniff Ostara is really to hold a big bunch of daffodils in your arms. The flowers mostly smell green and pollen-y and in Ostara you get that green, plant stem aroma along with stamens and dusty pollen.

You could break it down further but you just have to inhale it and you immediately think “daffodils” and “springtime”.

A montage starts rolling in my mind’s eye involving scampering bunny rabbits, birds nesting in budding trees and of course, rolling hills covered with a host of golden daffodils.

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As with many of Dauchaufour’s fragrances, it is a transparent composition with lots of light and air. More than likely as a result of the use aldehydes, Ostara has tremendous radiance.

The fact that it is photorealistic is perhaps what will attract some people and disappoint others.  I had hoped that Ostara would contain some of the earthy, cow pat richness of narcissus absolute, but that’s not the story here.  This is a fragrant ode to green shoots, brilliant sunshine and the buoyant feeling that comes with renewal.

If the scent of daffodils brings back happy childhood memories for you, then Ostara would make a great “emotional button” for whenever you want to recall those carefree days and the feelings connected with them.

 

Do you have a fragrance that sums up spring for you? 

 

 

 

 

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