Tag Archives: Lime

In Rotation – Autumn 2017

It’s autumn in the UK and I’m really enjoying wearing my two favourite releases of this year (practically non-stop). They are both by artisan perfumers whose work exhibits great depth and attention to detail. As different as they are, each fragrance feels perfect for this time of year.

I spent a few days at a forest lodge in Scotland earlier in the month and the autumnal countryside was stunning. The scents of green leaves, woodsmoke and damp earth filled the air.

 

 

Dryad by Papillon Perfumes

Narcissus, Oakmoss, Jonquil, Costus, Galbanum, Clary Sage, Deer Tongue, Cedrat, Benzoin, Lavender, Thyme and Orris

Liz Moores is very connected to nature in all its forms, so it’s no wonder she should see the soul in a tree and create a perfume in its honour: Dryad. Bitter greens are crushed underfoot as the woodland becomes denser and darker. The drydown has the glorious feel of a vintage oakmoss chypre. Green perfumes are rarely this complex or classy. Wear it while wistfully wishing you lived in the forest, or kicking up leaves walking through the park.

 

Naja by Vero Profumo

Osmanthus absolute, melon, linden blossom, tobacco

The green in Naja is a neon bright lime.  It starts out like juice, then blossom and finally powder. This provides an overlay to the palest blond tabacco which feels just right for these damp days with a hint of bonfire in the air. Naja is a perfume full of contradictions that exist side by side. It is body and spirit, dissonance and harmony, purity and poison. Wear it to weave protection spells and cast out evil. It’s the perfect perfume for the run-up to Halloween.

 

Coromandel by Chanel 

Bitter Orange, Neroli, Jasmine, Rose, Orris, Patchouli, White Chocolate, Vanilla, Woods, Incense

While I’m wearing Dryad and Naja on skin, I’m also wearing Coromandel on fabric. It’s my favourite scarf perfume. I sprayed it onto the front of my long black cotton scarf once I’d wound it round my neck.  The luxe patchouli works really well when you can catch wafts of it as you walk. I have the EdT version which has wisps of incense which show up in mild weather.  It really complements both Dryad and Naja. Wear it to amplify and complement the wonderfully musty aromas of autumn in a super chic way.

 

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What fragrances have you been turning to lately?

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Eau de Rochas by Rochas

 

Notes: Lime, Mandarin, Bergamot, Orange, Grapefruit, Verbena, Coriander, Carnation, Jasmine, Narcissus, Patchouli, Vetiver, Oakmoss, Amber and Musk

 

I picked up Eau de Rochas in the Perfume Lovers London annual swap event last December. The bottle was full and although I had never tried it before, I vaguely remembered reading good things about it.

I first wore it when summer finally rolled around and I’ve hardly wanted to wear anything else since.

 

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I favour citrus fragrances with an aromatic facet because they have that bit of extra omph and complexity. When I began wearing Eau de Rochas my thoughts kept coming back to Diorella – released 2 years later. It’s similar in structure with citrus, herbs, flowers and a resinous base. Eau de Rochas may be in the cologne category but it reads more like an effervescent fruity chypre.

Most of the citrus burns off over time leaving a musty, mineral underlay. It’s that patchouli/vetiver backdrop which gives this summer Eau some weight and sex appeal. It may be buried in the midst of the notes list but the patch is the first thing I notice on spraying, just underneath the sparkling citrus tonic. It gives Eau de Rochas the slinky, lived-in feel that Diorella lacks.

The contrast between the prominent bright lime and subdued dry patchouli is enticing. I’m always looking out for summer fragrances with some sensuality and this has just the right amount of dirt under its polished fingernails. I’m drawn to fragrances which walk the line between clean and earthy (most recently exemplified by Superstitious). This combination gives a hint of something unwholesome and intriguing under a shiny surface.

Don’t be put off if you prefer coriander and basil in food to perfume. I’m not fond of those notes but I can’t pick them out here. The aromatic effect is that of a bouquet garni adding the background flavour of leafy herbs.

Eau de Rochas is not a vapid cologne but a fragrance with a languorous, old school feel that matches its pretty bottle perfectly. It’s well worth a try if you’re a fan of patchouli, retro perfumery and/or light fragrances with hidden depth. I don’t like paying a lot for summer spritzes and you can grab this online for a great price.

I find it lasts well for an EdT and can still notice it on my skin in the late afternoon, although it’s doubtful anyone else can. It’s completely gender neutral.

Eau de Rochas has the relaxed yet sexy vibe you’d expect from a French cologne-style fragrance released in 1970. It doesn’t have to try too hard.

 

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Was there a perfume you couldn’t get enough of over the summer?

 

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1805 Tonnerre by Beaufort

Twisted firestarter…

Notes: Lime, smoke, gunpowder, blood, brandy, sea water, amber, balsam fir and cedar.

 

These days when I hear about a new perfume house it tends to wash over me. That is unless it’s mentioned by a friend.

Tina G of Australian Perfume Junkies told me about Beaufort and specifically the scent 1805 Tonnerre. What especially got my attention was when she said the man behind the line, Leo Crabtree, had played drums with The Prodigy. Apparently he has had a life-long love of fragrance and his inspiration for Beaufort is the dark side of English history, particularly in relation to the sea.

The brand name comes from the Beaufort wind force scale of measuring the intensity of the wind: a system still in use today. The website states that it represents “a kind of framework within which we can understand ourselves: The wind is constant, enduring, but ultimately changeable and potentially destructive”.

So when I met up with fellow blogger Esperanza at Bloom perfumery during her recent trip to London, I suggested we try the line. We both enjoyed testing the three fragrances released last year in the inaugural Hell and High Water Collection because they were so distinctive. Whether they’re to your taste or not, it’s interesting to try something that isn’t bland or you’ve experienced a million times before.

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1805 was the year of the Battle of Trafalgar, which Admiral Nelson won but during which he lost his life. The fragrance, 1805 Tonnerre attempts to re-create the scent of the battle and is an arresting clash of lime and gunpowder. The lime is bright, fresh and tart while the gunpowder is smoky, leathery and almost meaty. The two are surprisingly well matched, with the lime slicing through the powdery smoke in the opening stage.

The citrus fades over about an hour leaving a woody/ashy drydown with a little salt spray and a pleasing handful of pine needles thrown in.

Of course there should be no gender restrictions in perfume but 1805 Tonnerre feels assuredly masculine to me and I can envisage it being attractive on a guy with a bit of an edge. I can also see women who like bold, smoky perfumes going for this one too.

Tina told me that as well as the Eau de Parfum, the scent is available as a candle and that medium appeals to me most.

Projection is explosive to begin with but mellows out.  I found it to be fiercely tenacious – as if it had seeped into the skin – even surviving a bath.

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It’s one of those fragrances that is best appreciated at a bit of distance. If you press your nose in close – as is our wont – it’s too intense and jarring, but that’s not how we experience fragrance in day to day life anyway.

Give it room to breathe and 1805 Tonnerre can become an uncommon pleasure.

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