Tag Archives: Green

London, Istanbul, Tel Aviv and Brooklyn by Gallivant

For the last few years I’ve taken holidays exclusively in cities and while not exactly restful, I’ve loved every minute of it. There’s something exhilarating about exploring a metropolis and seeing how you slot into it.

British indie perfume house Gallivant has recently launched with four fragrances that intend to capture this free-wheeling feeling. Founder Nick Steward has worked in the industry for many years, most recently as product and creative director of L’Artisan Parfumeur. He created the collection with two independent perfumers, namely Karine Chevallier and Giorgia Navarra (the latter being the Italian protégée of Bertrand Duchaufour).

 

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London

Notes: Cucumber, Rose de Mai Absolute and Leather

Being a born and bred Londoner, of course I was curious to try a perfume inspired by my city. Cucumber is a note I struggle with but I don’t notice it specifically. Instead the opening is generally very fresh, green and water-filled, but with something almost skanky just beneath the surface.  Once it dries down, the leather comes across as raw and a little musty, like the leather jackets on the vintage clothes stalls in Camden Market, turning lightly rosy over time. London is an unconventional shape-shifter, morphing from a green aquatic into a floral leather. Like its fragrant namesake, London is full of eccentric contrasts; a place where you can be your own strange self.

 

Istanbul

Notes: Cardamom, Geranium, Patchouli, Vanilla and Amber

I fear the city of Istanbul might rather overwhelm me but I bet it’s a fascinating place to visit with its coming together of east and west, ancient and modern. There is certainly a novel opening to the fragrance of the same name.  The combination of cardamom and herbs makes for an unusually fresh, almost mentholated, spice accord. The aromatics continue into the heart with geranium and lavender backed by spiced amber. It has the texture of suede and gets progressively drier and dustier in the base. Istanbul takes a few unexpected turns on this well-trodden oriental path.

 

Tel Aviv

Notes: Clementine, Jasmine Sambac Absolute, Musks and Deertongue Absolute

It’s nice to see a city represented in scent that is not one of the usual suspects. Tel Aviv brings the laid-back beach vibe into the heart of the city. It’s an easy-to-like tropical floral with a relaxed feel. After a brief burst of clementine, the clean jasmine and fruity ylang-ylang combine to give that luscious, languorous effect so typical of this much-loved genre. You can almost see the bright white light reflecting off the buildings and feel a refreshing airiness among the flowers. I’ve heard Tel Aviv is a hedonistic city and Gallivant were aiming for “lingering 1970s glamour”.  The warm, lightly musky base gives us a taste of that.

 

Brooklyn

Notes: Lemon and Orange Juice, Magnolia, Transparent Flowers and Musks.

I stuck to Manhattan when I visited New York but this feels like a good fit with how I imagine Brooklyn to be. The fragrance is bright and fizzy which chimes with what I assume is the buzzy and hip borough of the city. It reflects the intellectual, creative types you’d expect to find hanging out on the sidewalks.  They probably wouldn’t wear anything fussy so this citrus with substance seems to hit the mark. Fuzzy musks and cardamom massively extend the life of the sherbet-y citrus into the soft, white floral heart and beyond. Somehow Brooklyn manages to feel lively and breezy at the same time.

 

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The focus on top quality materials is clear and I can imagine the streamlined approach appealing to the urban explorers Gallivant is aimed at.  While sleek and accessible, each composition still has a quirk of its own.

It’s also good to see a new brand in the indie/niche sector enter at a sensible price point with the “nomad sized” 30ml EdPs coming in at £65. Individual samples are available as well as a Discovery Set, via the website.

 

Let me know your thoughts about the sound of this new brand in the comments. Do any of the cities appeal to you?

 

 

 

 

 

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Dryad by Papillon Perfumes

“My dryad hath her hiding place/Among ten thousand trees…”

– From The Dryad by Richard Le Gallienne (1866 – 1947)

 

Notes: Cedrat, Bigaradier Orange, Bergamot, Narcissus, Oakmoss, Jonquil, Clary Sage, Orange Blossom, Lavender, Orris, Vetiver, Thyme, Galbanum, Costus, Tarragon, Apricot, Benzoin, Peru Balsam, Deertongue, Styrax,

I’m fortunate to know artisan perfumer Liz Moores and while I can see facets of her character in Papillon’s other fragrances it feels like her fifth creation, Dryad, gets to the core of who she is.

If you follow Liz on social media, you’ll know that she spends a lot of her time nurturing animals (as well as children) and regularly shares the beauty of her surroundings in the New Forest.

Unlike most of us in this day and age, Liz seems to be living her life in sync with nature; celebrating the festivals that mark the changing of the seasons and noticing the waxing and waning of the moon.  She may be a glamour puss but I suspect she is an earth mother at heart.

This way of life must cultivate a great sense of connectedness with the natural world and I can feel that in DryadI tried an early mod of this forthcoming release during a visit to Papillon HQ last year, so I couldn’t wait to sample the final version which will be available from June. 

A dryad is a human-like tree nymph from Greek mythology and these shy creatures often inspired love and desire in the gods.

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Liz Moores with her equine soulmate, Perry.

 

As I enter Dryad’s mythical forest domain, I’m met with the unmistakable vivid green aroma of galbanum. Its usual astringency warmed by the sunshine of orange citrus and tamped down by an accord of leafy aromatic herbs.

Oakmoss forms the striking emerald carpet that is underfoot for the duration of the perfume’s development. No doubt this explains in large part why Dryad bears a resemblance to vintage Vol de Nuit parfum, as Claire astutely notes on Take One Thing Off.  Liz tells me that she was able to use a variety of oakmoss that is compliant, in very small amounts, with the IFRA regulations and then built it up with other supporting accords.

There’s something lurking just behind the trees (costus?) that prevents the scent from being entirely wholesome. It takes Dryad from what could have been light, bright and legible and turns it into something dappled, deep and mysterious. It seems to distil the very essence of an enchanted forest.

Dryad is not a fragrance with clear demarcations of head, heart and base but one of gradations, moving over time from sunlit green through to earthy brown. It’s a journey which takes the wearer from the edge of the forest to its shaded, sacred centre. Meandering through the ancient trees at a languid pace, it lasts for an extraordinary long time on skin.

Like Salome, Dryad is meticulously structured. It’s the kind of green chypre/oriental with a complex character and an old soul that’s rare to find these days.

A lecturer at university once remarked in a seminar that I always looked as if I were dreaming of some otherworldly place. Dryad actually takes me there.

 

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Picture credit: Dreaming Dryad by mariyaolshevska at DeviantArt

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In Rotation: Spring 2017

My perfume choices have been all over the places lately thanks to the changeable weather we’ve been experiencing in the UK this spring. As I write this on Monday 10th April, yesterday was 25 degrees Celsius. For that one day heatwave, I spritzed Dita Von Teese EdP for its tropical flowers, hint of spice and oriental-lite base. Today, it’s back down to 15°C so I’m returning to usual perfume programming which currently consists of the following: –

 

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Vaara, Penhaligon’s

Notes: Quince, Rose Water, Carrot Seeds, Coriander, Saffron, Rose, Freesia, Magnolia, Peony, Honey, White Musk, Cedar, Sandalwood, Benzoin and Tonka Bean.

On mild spring days I’ve been testing out my bottle of Vaara. I bought it when a friend was selling off her perfumes and I picked it up for not very much at all. Still, I’ve been re-assessing my collection, spurred on by Vanessa’s brilliant 20 ‘desert island’ scents post and wanted to check that it warranted a place on my shelf. So far so good. The fabulously unique start of quince, saffron, carrot seed and sparkling rosewater hangs around much longer than I feared, before moving into the rosy heart.

 

28 La Pausa, Chanel

Notes: I can’t find a notes list, but there is A LOT of Iris Pallida.

This huge 200ml bottle was generously gifted to me by the same friend I bought Vaara from.  It’s the original EdT which is no longer available.  Val the Cookie Queen and I tried out the new EdP last year and although it got off to great iris start, it all too quickly dried to down to a squeaky clean vetiver. Maybe the Parfum formulation is a better though. Unlike a lot of people, I’m fortunate in that the EdT lasts reasonably well on me.  This elegant iris feels just right for early spring with its floral-woody character and silky, slightly powdery texture.  28 La Pausa is the refined orris choice.

 

Antonia, Puredistance

Notes: Jasmine, Rose Essence, Ylang Ylang, Orris, Ivy, Galbanum, Vanilla and Vetiver.

Green florals like Antonia are another staple for me when March finally comes around. It’s luxurious, sun-lit and incredibly well blended. Quite a few green fragrances have a rather mealy-mouthed character, owing to the unforgiving nature of galbanum. However, Antonia is lusciously full-bodied and surprisingly warm. This spring goddess is resplendent in emerald with delicate flowers laced through her hair. Thanks to B for my bottle.

 

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What fragrances have you been wearing lately?

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Mood Scent 4 – Rainy Day Perfumes

Welcome to the first joint blogging project by Mood Scent 4! We are four perfume bloggers from France, Holland, England and Wales who will be posting on a different joint subject every couple of months.  Each time we will all pick a selection of five or so fragrances to fit a particular mood or occasion. You’ll find links to the other blogs at the end of the post.

We hope you have fun reading our different choices and adding your own in the comments.

Mood scent

I love it when it’s raining outside and I’m cosy indoors with little to do but listen to the raindrops patter against the window pane. Generally I don’t wear perfume on days like these unless I’m testing out a sample, but it’s fun to imagine what would be rainy day appropriate.

Silences by Jacomo

Notes: Orange blossom, Galbanum, Bergamot, Lemon, Green notes, Cassia;  Iris, Jasmine, Narcissus, Hyacinth, Rose, Lily-of-the-Valley,  Vetiver, Musk, Sandalwood, Oakmoss, Cedar and Ambrette.

This one feels just right for a rainy day in spring, both by name and scent. While most people have retreated indoors, you might want to take a peaceful walk in the rain. A soaking from an April shower seems to amplify the green aroma of vegetation in the air. Silences is a verdant green with a few flower petals and a little powder, that has a calming effect. It is also a bargain if you can find it online.

Celtic Fire by Union

Notes: Pine needles, Fir balsam, Marmite, Birch Tar, Peat and Bog Myrtle.

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My dream rainy day scenario would be eating toast by a roaring fire inside a cabin up in the Highlands of Scotland. The next best thing is Celtic Fire with its peaty, smoky aroma and quirky use of a salty Marmite accord. It’s a statement perfume with a certain meaty substance to it. There’s nothing quite like it.

Dzing! by L’Artisan Parfumeur

Notes: Leather, Ginger, Tonka Bean, Musk, White Woods, Caramel, Saffron, Toffee, Candy Apple and Cotton Candy

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If you do choose to spend your rainy day with a good book and it’s not the digital kind, then Dzing! would be a good accompaniment. It may recreate the smell of the circus but there’s also a whiff of old paperbacks in there, which have started to curl at the edges and smell of musty vanilla. It’s also a clever, completely unique scent and you don’t have to worry about the soupçon of skank if it’s just going to be you and your novel of choice.

L’Eau Froide by Serge Lutens

Notes: Olibanum, Sea Water, Musk, Vetiver, Mint, Incense, Pepper and Ginger.

I know there’s not a lot of love for the Serge Lutens L’Eau line but I like this one. I can’t handle big incense perfumes like the mighty Avignon by Commes des Garcons, so a gentle watery incense with aromatic touches suits me just fine. L’Eau Froide is a softly refreshing fragrance that wouldn’t be too distracting and could match a contemplative mood on a wet day.

Vanilla Smoke by Aftelier Perfumes

Notes: Yellow Mandarin, Siam Wood, Saffron Absolute, Vanillin, Vanilla Absolute, Lapsang Souchong, Ambergris and Coumarin

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Here you get gorgeous, soothing vanilla wrapped up in lovely, rubbery leather. Vanilla Smoke is my ideal comfort scent and will be particularly perfect when autumn rolls around and it starts to get cold and rainy. Enjoy it while taking a rain check – put your feet up and sip one of Mandy’s fabulous Fragranced Teas.

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Make sure you check out the other posts at Megan In Sainte Maxime, I Scent You A Day and L’Esperessence.

What are your own Rainy Day Perfumes?

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February: A Month of Roses

At the start of February I joined Undina’s giveaway challenge (inspired by Chemist in the Bottle) to wear nothing but rose perfumes for the whole month. Being her usual fastidious self, Undina compiled a calendar with a different rose fragrance scheduled for each day. Me being me, I took a more scatter-bomb approach, grabbing whatever appealed on the day.

One of the positive side effects of the project, was that it made me go through my samples and decants to dig up the roses. I love rose perfumes anyway (obviously) but it was good to have the motivation to try – and use up – the samples and decants languishing around my house.

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Here’s what I wore over the course of the month –

Tobacco Rose by Papillon Perfumes (Full Bottle)

This is a  rose bush in a bottle with leaves, earth and hay. A rose found in early autumn to hold on to as nature reclaims summer’s florid show. You can take comfort from it in the same way you might from a walk in the woods. It’s a womanly, over-blown rose with depth and throw to spare. One spray will last all day and it’s one of the few perfumes I’ve been complimented on.

Rose Oud, By Kilian (Decant)

This was the first western oud fragrance I came across and it’s still my favourite. The quality of the velvety rose is outstanding and the combination of saffron and oud complement it beautifully. It really is a deep red rose in the middle of an arid desert.

Wild Roses by Aftelier Perfumes (Sample)

Mandy Aftel’s intention was to capture the rose in situ within the garden. It’s easy to forget that these flowers have such varied scents. At its heart we have a balsamic, honeyed rose but there are also subtle fruity and animalic facets. Taragon absolute represents the herb garden and the leaves of the rose bush, while patchouli roots it in the earth. It’s incredibly complex and potent, especially for an all-natural fragrance.

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Le Fille de Berlin by Serge Lutens (Full Bottle)

I love the vintage pin-up look but while the clothes and make-up don’t suit me, I can wear a beautiful retro rose/violet scent like this one. The softly musky amber base makes for a perfect finish. Unlike a lot of fragrance by Serge Lutens, La Fille de Berlin has a transparency that makes it extremely wearable. I wear this from spring through autumn.

Rozy Voile d’Extrait, Vero Profumo (Sample)

Rose may be the most recognisable facet of this oriental tour de force but there is so much more going on here. Smoked honey, amber and fruit swirl and buzz on the skin with a vital intensity. When I first encountered it, Rozy represented to me the complexity and power of untamed feminine energy – and it still does. Perfumer Vero Kern is someone l hugely admire and I can’t imagine anyone else making a rose-centred perfume remotely like this one.

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Rose de Nuit, Serge Lutens (Full Bottle)

It was nice to give my bell jar an airing. Rose de Nuit is a rosy musk more than it is a pure rose fragrance. It’s not skanky or headache-y but oily and unctuous. It’s a nocturnal harlot in perfume form who doesn’t believe in any such thing as the walk of shame. She’s brazen but sophisticated and oh-so-enticing.

Mille et Une Rose, Lancome (Decant)

Appropriately enough I won this decant on Undina’s Looking Glass. Mille et Une Rose is a soft yet deep, somewhat sweet rose with an amber base and a trail of musk. It makes me think of one of those pretty peach coloured roses with a multitude of petals, circling around and around, layer after layer. It’s velvety, easy to wear and rather romantic.

Velvet Rose, Senoma Scent Studio (Sample)

Again from Undina’s prize package, Velvet Rose is a sparkling, dewy rose. It’s a frothy cascade of pale pink tea roses with a touch of greenery. Delicate but long-lasting, it has that vintage cosmetic association that I really love. The more I inhale it, the more I enjoy it. It’s incredibly pretty and joyful.

The Coveted Duchess Rose by Penhaligon’s (Sample)

This recent release is part of the Portraits collection.  At first I’m thrown by a metallic green note but this does fade in the heart which is a fresh and fruity rose soliflore with a swirl of powdery sweetness. The base is a rosy woody musk. Green and/or fruity roses aren’t really my style but it’s nicely done and will no doubt be popular.

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Vaara, Penhaligon’s (Full Bottle)

Vaara has such an original and vivid start that the first time I tried it I was a tad disappointed that it ended up being a light and linear rose perfume. Now I just enjoy it for what it is – a refreshing rose perfume to wear in the summer with its striking opening of tart quince, creamy saffron and a splash of rosewater.

 

Did you take part in the Month of Roses? How did you get on? Could you wear roses day after day?

 

 

 

 

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Civet, Nightingale and Macaque by Zoologist Perfumes

I’m a great admirer of Zoologist Perfumes and am extremely happy to hear they are now being stocked in the UK by Bloom. It’s great to see an independent brand that is brim full of originality and making the most of artisan perfumers.

After writing about the first three fragrances (Rhinoceros, Beaver and Panda)  I was excited to try samples of some of the subsequent releases.

It’s worth noting that none of these – of any of their Eau de Parfums – contains animal products.

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Civet

Top Notes: Bergamot, Black Pepper, Lemon, Orange, Spices, Tarragon
Heart Notes: Carnation, Frangipani, Heliotrope, Hyacinth, Linden-blossom, Tuberose, Ylang
Base Notes: Balsams, Civet, Coffee, Incense, Labdanum, Musks, Oakmoss, Resins, Russian Leather, Vanilla, Vetiver, Woods

Perfumer: Shelley Waddington (En Voyage Perfumes)

I thought Civet was bound to be too much for this fragile flower but not so. Shelley Waddington was aiming for the effect of a fur coat over naked skin and that’s exactly what she’s achieved.  After a glittering citrus start, the warm vintage fur is draped around your shoulders. It’s a real stunner with facets of cosmetic powder, flower petals and body warmth. I find it sensual and a little heady rather than intimidatingly animalic. I particularly love its glamorously retro aura and the way it makes me feel cocooned.

The use of coffee in Civet is an inspired modern twist. You wouldn’t necessarily know it was there without the notes list but it adds a roasted depth which is subtle and – like the touch of vanilla – is blended nicely into the whole. The spices are also handled with a light touch. It doesn’t hit you over the head with its sex appeal but entices you to close your eyes and nuzzle it like a blissed-out feline.

Nightingale

Top Notes: Bergamot, Lemon, Saffron
Heart Notes: Japanese Plum Blossom, Red Rose, Violet
Base Notes: Oud, Patchouli, Sandalwood, Moss, Frankincense, White Musk, Labdanum, Ambergris

Perfumer: Tomoo Inaba

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Nightingale immediately showers you with plum blossom as if caught in a snowstorm of deep pink petals. It’s sweet and powdery, the way a combination of rose and violet often is. This cosmetic-style accord is underlined with a full-bodied opacity that comes from the patchouli and moss. It’s a vivid, striking opening to a perfume that has a unique character.  It’s fully embellished but doesn’t take itself too seriously.

A complex yet playful composition, Nightingale mellows out beautifully, developing that recognisable vintage chypre signature so many of us covet. I can imagine it successfully captures the feeling of celebration and optimism that comes with the onset of spring in Japan.  The tendrils of musk rising up from under its blush coloured skirts prevent it from coming across too innocent. Nightingale is ideal for lovers of classic chypres and the woman or man who is not afraid to indulge in a swathe of pink when the mood takes them.

Macaque

Top Notes: Cedar, Green Apple, Red Mandarin
Heart Notes: Frankincense, Galbanum, Honey, Rosewood, Ylang Ylang, Jasmine Tea
Base Notes: Cedarmoss, Green Tea, White Oud, Musk

Perfumer: Sarah McCartney (4160 Tuesdays)

I imagined a perfume named after a monkey would be about base instincts and therefore rather confrontational and even skanky. It’s actually the exact opposite. On spraying, I’m pleasantly surprised to find myself surrounded by clean air, the head-clearing scent of evergreens and a cascading waterfall. The aroma of lush vegetation and mossy undergrowth is cut nicely by tart citrus fruit.

Macaque is more about the mountain habitat than the mammal itself. It represents not only the forested slopes but the temple that overlooks it. There are the slimmest scented strands of frankincense, flower petal offerings and fragrant teas which drift across the canopy. It’s much more spiritual than beastly and extremely atmospheric. Macaque is a refreshing bright green fragrance which creates a sense of place, far away from our material world and its humdrum concerns.

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Do any of these fragrant creatures appeal to you? Do you have a favourite from the line?  

 

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Iris Cendré by Naomi Goodsir

 

An iris rising from the ashes…

 

Notes: Bergamot, Tangerine, Orris Butter, Violet, Amber, Cistus, Tobacco

 

Earlier this year I ordered a sample of Iris Cendré from Surrender to Chance along with Vanilla Smoke by Aftelier Perfumes, which were  my two lemmings of the moment. Vanilla Smoke was a great success and is on my Full Bottle List but what about Iris Cendré? I’ve been mulling it over.

Seeing as I love the note so much, I feel there is definitely room for more than one iris in my collection and I like the atmospheric, striking style of Naomi Goodsir’s perfumes.  With so much positive feedback last year, Iris Cendré definitely got me intrigued. I was also interested to see what perfumer Julien Rasquinet’s take on iris would be as he does smoky scents so well (such as Bois d’Ascese by the same brand). I quite fancied an iris among the ashes.

 

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Iris Cendré starts a little vegetal and a little powdery, with a brief burst of chilled orange juice. As the iris comes into full focus, I’m reminded of why I love this material as much as I do. I read on The Candy Perfume Boy that one perfumer described orris as “a perfume in itself” and that sums it up its complexity perfectly.

Here, it strikes a nice balance being not too carroty, cosmetic or floral. The mood is subdued and candlelit. As iris often does, it evokes a wistful feeling in the wearer.

Iris Cendré is powdered but in a very gentle, smooth way and I’m relieved that it’s not sweet.  It’s true to iris’s nature but adds something new in its sprinkling of cinders. It doesn’t smell of billowing smoke or incense to me, but more like powdery charcoal which turns to dust at the slightest touch.  The effect is subtle and sophisticated.

As time goes on, to my surprise the backdrop turns from grey to green. I enjoy this transformation into mossy suede a great deal. In this way, Iris Cendré turns the typical perfume progression on its head. The deep, resinous, bold accords are at the start, moving into soft greenery as it develops. This makes it an unique iris fragrance. Although it may disappoint those who aren’t fans of green accords and who want those indigo/grey tones all the way through. 

The base sounds like it should be heavy, being made up of amber, cistus and tobacco but it’s not. As with other creations by Rasquinet, it’s a sheer, clean, woody/ambery blur.

The projection is weak but maybe that’s the result of dabbing rather than spraying. The other aspect that gives me pause is what I can best describe as a kind of persistent musky fuzziness. My mate and fellow blogger Tina G noticed something similar so at least I know I’m not imagining it.

Personal niggles aside, Iris Cendré is an original and distinctive take on the note and worth trying if you’re an iris fan.

 

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Please share your experience in the comments if you’ve tried Iris Cendré.

 

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Blasted Heath and Blasted Bloom by Penhaligon’s

There’s nothing like a returning trend which you remember vividly from the first time around to make you feel your age.  It doesn’t seem like five minutes since aquatics fragrances were at high tide before receding from the mainstream market. When they went out of vogue, many of us were relieved to see the back of them.

Really, it’s unfair to tar all watery-themed fragrances with the same brush. For me (and I suspect many others) it was more the ubiquity of the calone-fuelled 1990’s phenomenon L’Eau d’Issey that made me tire of the genre. There’s actually been a number of really great niche oceanic fragrances since then, including Heeley’s Sal Marin and Epice Marine Hermessence.

Last year aquatic fragrances staged a comeback. I was pleasantly surprised by Jo Malone’s Wood Sage and Sea Salt and in September Penhaligon’s launched a duo of scents which were also inspired by the windswept British coastline.

Blasted Heath and Blasted Bloom were both composed by perfumer Alberto Morillas who incidentally did – count them – five L’eau d’Issey flankers.

Blasted Heath

Aquatic accord, seaweed absolute, clary sage absolute, green leaves, Clearwood™, tobacco absolute, whiskey accord, patchouli essence, Alaskan cedarwood essence, gaiacwood essence, vetiver SFE and musks.

Blasted Heath embodies the scent of salty sea air and seaweed mingling with the aromatics of shrubbery and wild herbs.  There’s an aquatic accord woven through dense leaves and sage.

It has a decidedly masculine feel, with a slight metallic edge. If you can imagine such a thing as an aquatic fougere you’d be on the right track. Blasted Heath is as much about aromatic greenery as it is about seawater.

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Blasted Bloom

Notes: Wild berries, aquatic accord, green leaves, eglantine rose, pink pepper CO2, hawthorn, Alaskan cedarwood essence, Clearwood™, moss and musks.

As you may have suspected from the name, here in Blasted Bloom we have wildflowers at the shore being blown about by the bracing sea breeze. The berry note isn’t bold or syrupy sweet but actually quite tart and subdued.

The flowers are delicate and spring-like while the aquatic aspect is less evident than in Blasted Heath. This is more about cool, reviving coastal air than brine and algae. You wouldn’t need to be a fan of aquatics to enjoy this, but you would need to like super fresh florals.

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Both fragrances wear pretty light with soft sillage and moderate longevity. Neither is to my taste but Blasted Heath is novel and it successfully captures the wilderness by the cliff edge as the waves crash into the rocks below.

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How do you feel about aquatic fragrances? Are there in the genre that you admire?

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Rhinoceros, Beaver and Panda by Zoologist

Zoologist is a Canadian niche house whose creations possesses two commodities that we could do with more of in Perfumeland – novelty and wit.  The man behind this concept is Victor Wong who cleverly decided to commission indie perfumers to author each animal inspired scent. However, it should be noted that no animal products were used in any of the fragrances.

I tried the inaugural three perfumes which were launched in 2014. My interest has been piqued enough to want to try the latest additions, being the delightful sounding Hummingbird by Shelley Waddington of En Voyage Perfumes and the intriguing – not to say award winning – Bat by Ellen Covey of Olympic Orchids.

The bottles are fantastic with the illustrations being reminiscent of The Wind in the Willows.

 

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Rhinoceros

Top Notes: Rum, Bergamot, Lavender, Elemi, Sage, Armoise, Conifer Needles. Heart Notes: Pinewood, Tobacco, Immortelle, Geranium, Agarwood, Chinese Cedar Wood. Base Notes: Vetiver, Sandalwood, Amber, Smoke, Leather, Musks

I thought Rhinoceros would be too much of a beast for me to handle but while it’s not my usual style, I really enjoyed testing and wearing it. It’s a strange mix of booze, smoke, oud and pine which swirls across my skin and holds my attention. The subtle pine accord, along with the other aromatics, make an interesting contrast against the more  upfront combination of alcohol, tobacco, oud and leather.

The oud is the most pronounced component of Rhinoceros on me and while we are not short of oud frags to choose from, this one is particularly urbane, being nicely refined with sophisticated tobacco and leather.

The aromatics and rum recede in the base, but it remains as arid as the desert plain throughout.  It would be attractive to those who like the idea of a “gentlemen’s club” style scent with a twist.  In opposition to the tough hide of its inspiration, Rhinoceros is surprisingly smooth with a distinguished air.

Rhinoceros-60ml-Front_grande

 

Rhinoceros was composed by Paul Kiler of PK Perfumes, as was Beaver.

 

Beaver

Top Notes: linden-blossom, Fresh Air, Musk, Light citrus. Heart Notes: (Synthetic) Castoreum, Iris, Vanilla, Smoke*, Undergrowth. Base Notes: (Synthetic) Animal Musks, Ash*, Cedar, Amber

*I have a sample of the original version but the website states that the formula has been modified this year with the removal of the smoke and ash notes, redesigning of the linden blossom and the addition of light leather and more musk.  A limited number of bottles of the original formula are still available.

Beaver-60ml-Front_grande

Composed by British perfumer Chris Bartlett of Pell Wall Perfumes, this fragrance was largely inspired by the beaver’s river habitat but also uses a castoreum-style base to represent the mammal’s musk.

First we get sparkling, juicy lime bringing to mind a rushing river in bright sunlight, but this is soon undercut by a light plume of smoke and something vaguely metallic.  I don’t get the dirty facet others seem to, so I’m guessing this is yet another case where my nose is failing to pick up a certain type of musk. The muskiness I do pick up in Beaver is of the sheer, woody musk variety and flows nicely with the aquatic citrus accord.

As time wears on the watery aspect fades to a faint backwash overlaid with a cottony musk drydown.  I find it subdued – especially compared to Rhinoceros – but no doubt this wouldn’t be the case if I got the intended “beaver musk”.

 

Panda

Top Notes: Buddha’s Hand Citron, Bamboo, Sichuan Pepper, Green Tea, Mandarin, Zisu Leaves. Heart Notes: Osmanthus, Orange Blossom, Lillies, Mimosa, Incense. Base Notes: Sandalwood, Pemou Root, Cedar, Fresh Musk, Bourbon, Haitian Vetiver, Damp Moss

Panda is a full of lush green vegetation filled with sap on the inside and dampened with rain on the outside. It makes me think of misty, verdant mountainsides and clean air. However, I’m thrown by something that verges on the medicinal.  I can best liken it to a drop of potent cleaning fluid on wet leaves.

This distracting facet calms down in the drydown when the whole scent becomes a darker shade of green, mimicking dense undergrowth.

 

Panda-60ml-Front_grande

 

I really admire what Victor Wong is doing with this house and all three fragrances exhibit a high level of quality and excellent longevity.

I would be very interested to read your own experience of any of the Zoologist perfumes in the comments.

 

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Behind the Rain, Tears of Eros and Cirebon by Paul Schütze

There’s nothing like learning a new skill to increase your admiration one hundred-fold for those who execute it at a high level. Recently I’ve been dabbling in art and so now when I see what experienced artists can produce, it fills me with awe.

Paul Schütze is a London-based artist who has created works in a variety of forms including photography, installations and soundworks.

 

paul schutze abysmal

Abysmal Evenings by Paul Schutze

 

After creating scented elements for art installations and objects, he launched a collection of three personal fragrances in April of this year. Each one represents a key moment or impression from the artist’s memory.

Behind the Rain

Notes: Black Pepper, Fennel, Frankincense, Grapefruit, Linden, Mastic, Moss, Patchouli and Vetiver.

Who doesn’t love the smell of petrichor? That amazing aroma is created when rain hits the dusty ground for the first time after a prolonged dry spell.  The is what Behind the Rain seeks to capture and it does indeed start with a delicious blast of musty earth paired with juicy grapefruit, thereby mimicking the contrast between the dry soil and the quenching rain.

As the opening fades, I find myself wanting to spray it again to relive that short but fun moment. However, this is the fleeting nature of petrichor so it’s true to life. The rest of the development is tart grapefruit zest against a soft green backdrop with a lingering touch of musty-ness that reminds me of dusty tea leaves. Sometimes I’m repelled by grapefruit notes but here it remains pleasant and fresh for hours on end.

 

Tears of Eros

Notes: Ambergris, Benzoin, Cardamom, Cedar, Clementine, Frankincense, Gaiac Wood, Hyacinth, Iris Butter, Labdanum and Pepper. 

The stimulus for Tears of Eros was a chance moment when the aromas of Japanese incense, clementine peel and hyacinths collided in Paul’s Parisian studio.  It’s described evocatively as a “living incense”.

After an opening salvo of sparkling clementine Tears of Eros moves through a phase of green hyacinth before settling into a woody hyacinth with a hazy aura of incense. In the base it becomes salt encrusted and makes me think of driftwood. Tears of Eros is an unusual composition and holds me captivated partly for this reason.  It’s the one out of three which is the stand-out for me.

 

Cirebon

Notes: Bergamot, Bigarade Orange, Cedar, Magnolia, Orange Blossom, Petitgrain, Sandalwood and Vetiver

The inspiration for Cirebon is a night spent sitting by a lake on the island of Java as the sound of a traditional Indonesian Gamelan orchestra drifts across the water. I’ve visited Bali and went to a performance featuring Gamelan music which really is mesmerising.

The fragrance seeking to capture this experience can be summed up in two words, “spiced orange”, but it’s so nicely done that I don’t tire of it. Sometimes a simple accord that really works is all you need and Cirebon has the quality and depth of the other two compositions in the collection.

The orange is distilled down to its essence making it thick and potent, while the spicy facet is very smooth and suave. This turns what could have been a bright citrus cologne into a dark, sensual scent.

I really wish guys I’m in close proximity to on the tube would start wearing Cirebon instead of the unpleasant olfactory foghorns they usually go in for.

Paul Schutze

 

It’s interesting that a number of indie perfumers are also artists, including Liz Zorn of Soivohle and Dawn Spencer Hurwitz of DSH Perfumes.  I wonder if, for them, perfumery is just another form of artistic expression, another palette to work with.

 

Do you see a connection between art and perfume? Do Behind The Rain, Tears of Eros or Cirebon appeal to you?

 

 

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