Category Archives: Perfume Reviews

Strange Tales from the Cookie Kitchen.

“Look up here, I’m in heaven I’ve got scars that can’t be seen, I`ve got drama, can’t be stolen, Everybody knows me now.  LAZARUS.  David Bowie.       

THE UNSTERBLICHE (THE IMMORTAL) SISTER WALLNER.  1923 – 2011.          

 

I first met Sister Wallner after the birth of my son, 1993.   She came to visit me in the hospital with a homemade applesauce, which she had put into a glass jar that had previously been filled with  pickled garlic.  “Sister” because she was a member of the same church as I was, where everyone is called/or can be called “brother” and “sister”.  Although I became very good friends with both her and her family, I never called her anything other than Sister Wallner.

At the end of WWII Sister Wallner walked back from from Greece to Austria, through Yugoslavia.  Yes, walked.  We do know that it was extremely traumatic, and she carried the scars throughout her life.  It did not kill her though.

In 2003 Sister Wallner had two hip replacements within a very short time of one another, and was sent to the rehabilitation centre to recover and to start physiotherapy.  She was told under no circumstances could she leave leave the hospital grounds.  Unfortunately the people in charge had no idea that you couldn’t tell her what to do.  She shot off one evening, as fast as she could on two sticks, and indeed did walk out of the hospital, onto the pavement, and then decided to cross the road, on a curve.  The Audi A3 was going way too fast, and she should not have been there.

Her daughter, (the infamous Doctor Fox, my eternal partner-in-crime, but that’s a Strange Tale for another day) and son-in-law received a phone call, informing them that Sister Wallner/mother/mother-in-law was lying in the intensive care unit and things were not looking good.  They lived about a 45 minute drive away, and so called us to go straight up to the hospital, and they would meet us there.   We were and still are only a five minute drive away.

Sister Wallner was unconscious, green skin, black and blue eyes like you have never seen, a massive cut on her head; I thought that my husband was gonna pass out when he saw her, as he too turned the same shade of green.  For the first time I offered a prayer for her well-being, little knowing that I would find myself doing the same thing many years later.  It did not kill her though.

As she became older she began to have various strange episodes and was at times extremely difficult, and Dr. Fox and I cared for her Mum in different ways. Together we moved her from her home of many years, into a smaller apartment.   Dr Fox and her family had moved into the area several years earlier to be closer to her mother.   Around 2008 Sister Wallner’s health, both physical and mental, started to go downhill.

THE TWILIGHT ZONE. 

I had just come out of the supermarket and was loading the car, when I got a call from Dr.  Fox.  “My Mom has just slumped over, and is dying, and if you wanna see her you had better get your ass down here quick.”  I was there so fast, like in two minutes.  Parked the car, and ran upstairs.  It was 11:00.

I ran in through the  door the same time as Dr S arrived.  Now let’s be clear, this was not a doctor that was coming to rescue Sister Wallner, no.  This was the  doctor dude from the council who had come to reevaluate her level of care, to increase the level of financial aid she was receiving.  Which was why Dr Fox was there in the first place.

Sister Wallner was a Grinchy shade of green, not breathing, and had her eyes been open, she would have been staring vacantly.  It was not the first time that Dr Fox and I had been confronted with a dying person – unlike the doctor apparently, who took a quick pulse check, started sweating profusely, and started walking circles in the kitchen. Dr Fox and I were holding her slumped Mom between us.  We told the guy to go home.  He did mumble something about maybe calling an ambulance, but we sent him packing,  telling  him we would deal with the situation ourselves.

Between us, we carried the ever-so-slightly-stiffening, and bloody heavy,  Sister Wallner into her living room and laid her on the sofa.  Once again I offered a prayer, asking that she be taken in peace.  Dr Fox called her husband and said her mom had just died.  I called my husband and said Sister Wallner just died.  Dr Fox called meals-on-wheels and said Frau Wallner had died and would not be needing her Mittagessen.  We sat at her mother’s side.

Suddenly Sister Wallner took an almighty great big breath, and started to sit up.  “I’m hungry, where’s lunch?”

We called our husbands and said it was false alarm.   They were not surprised,  a bit weird yeah, but then you really have to know our two families to understand where things are on the weird scale.  The tipping point for us was when Dr Fox called the meals-on-wheels back and told them that Sister Wallner had not in fact turned-up-her-toes, and that she would like her lunch delivered, preferably as soon as possible, and we started to laugh, albeit tinged with hysterics.   And this did not kill her.

As sure as little apples grow on trees, this happened.

After this episode we were fortunate to be given a place in the Altersheim (Old Folks’ Home) here for Sister Wallner.  She had no idea that she was going into one.  Dr Fox organized it all and waited there, as I went to pick Sister Wallner up from outside her apartment, having lied to her about going out for tea, to get her to come out and wait for me.  Basically a kidnapping.  I took her to the home, and she was not a happy camper.  But after a relatively short period of time, she  settled down, and lost a lot of her stubbornness and her need to fight so many battles.  She softened after having had such an incredibly difficult life, and began to have some peace.

Of course she did die.  Because no one is immortal.  It was the 24th of November 2011.  My birthday.  Dr Fox was on her way over to me to celebrate it, when she got the call from the Old Folk’s Home. “Your mother has been taken into hospital and you need to hurry if you want to see her before she passes away.” Been there, done that, she thought. She called me and said “My Mom is dying again and if you wanna see her, meet me at the hospital.”  We hurried, but this time we were too late.

CQ of APJ

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Dr Fox and I have talked about this experience we had together many times over the years.  Recently Dr Fox`s daughter, a medic, said it would seem that this might have been what is known as the Lazarus Syndrome, so rare that not fifty cases have been recorded.    The spontaneous return of a normal heartbeat after failed attempts of resuscitation. Except no one tried to resuscitate her.  Why would you?  She was the Unsterbliche Sister Wallner.

 

 

 

 

 

 

 

 

 

 

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Voyage 2019 by Hiram Green

Notes: Citrus, Lotus Flower, Amber and Vanilla

 

Indie perfumer Hiram Green released the luminous rose Lustre earlier this year and before that, the intoxicating Hyde which quite rightly won an Art and Olfaction Award.

He has now launched a new limited edition version of Voyage, a fragrance that had a limited run of 250 bottles back in 2015. It was inspired by Indian street markets and the floating palace on Lake Pichola in Rajasthan.  I wasn’t fortunate enough to experience that first version but it included a suede note that has now been replaced in Voyage 2019 by lotus flower, the national flower of India.

Voyage 2019 50 ml (1)

Voyage 2019 opens with smooth and glowing orange-tinted citrus, undercut by what my nose reads as a velvety musk. As the lotus flower comes through, it gives the fragrance a lift with its refreshing flow of water drenched petals.

This version has been designed to be lighter and more tropical than the original and it does have a subtle languid quality. I don’t generally enjoy straight-up florals because they are often rather ‘much of a muchness’ and can be rather vapid. However, I do have a soft spot for sultry florals, especially when layered over an appealing crème brulee base, as here. There’s a nice contrast between the freshness of the lotus flower and the cosiness of the drydown: like the feel of a warm breeze over hot skin.

I don’t detect spiciness except for a kind of mellow warmth and a resinous facet that is reminiscent of sticks of unlit incense.

The base is a slightly smoky vanilla which is no doubt where the use of natural materials really comes into its own. It isn’t a thick synthetic cupcake aroma but a pillowy soft vanilla with a burnt caramel edge, stopping it from being overly sweet (not to mention obnoxious). Voyage 2019 starts off on a tropical island and ends in comforting home territory.

I get low-to-moderate projection from this Eau de Parfum but it does last extraordinarily well. I’d recommend Voyage 2019 to those who love cosy yet buoyant ambery vanillas and anyone who is a fan of soft-focus floral oriental fragrances. It’s an incredibly easy to wear perfume offering warmth and comfort with an exotic floral twist.

Only 280 bottles will be available exclusively online from the Hiram Green website where you can also buy a sample if you’d like to test it out for yourself.

 

 

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How do you feel about floral oriental perfumes? Do you have a favourite?

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Mon Guerlain EdP Florale by Guerlain

By Portia

Hey A Bottled Rosers!

It’s really cooling down up in the northern hemisphere right now. Most of your jaunty citrus and mint fragrances are taking a back seat to the warming delights of amber, vanilla and woods. For those of us who love something sweet and pretty, and those looking for a beautiful gift for the holiday season, I’m enjoying my Mon Guerlain EdP Florale so much more than I ever did the original. I loved the first but there are days when it’s just too thick and syrupy.

Mon Guerlain EdP Florale 2018

Thierry Wasser

Parfumo gives these featured accords:
Top: True lavender, Bergamot
Heart: Jasmine sambac, Peony, Paradisone®, Ylang-ylang
Base: Iris, Sandalwood, Vanilla

On first spritz the vanilla already shines through. Playing perfectly alongside a sheer lavender and warm, very lightly banana-ish ylang and a dry cardboard iris. Far less intense and more spacious, like the original has been given room to breathe. Within this newfound airiness is a much less confrontational scent, now its prettier, more wearable and less smelling like a lavender nougat, more like fine fragrance. As if Mon Guerlain was a mod and Mon Guerlain EdP Florale the final, perfect product.

 

Legendary longevity, I can still smell the sweet Mon Guerlain essence at the end of a gig and even the next morning there are soft remnants of it floating around my body. Dry down is an attenuated heart, once the initial fireworks are over the changes are infinitesimal, just diminution. While definitely leaning towards the traditional feminine spectrum there is no reason a guy couldn’t get his Mon Guerlain EdP Florale on. It’s not a million miles away from Pour un Homme de Caron.

 

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Have you spent any time with the Mon Guerlain range? Do you have a favourite yet? That rose one this year was good too.

Portia xx

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Eau de Minthé by Diptyque

By Portia

Hi there A Bottled Rose.

New Diptyque will often get me excited. They are some of the niche groundbreakers and almost all of their fragrances have a perfectly finished quality, that lovely smooth story that has enough twists to keep you interested but done with such aplomb that you miss it, unless you’re paying attention. They are practically mainstream nowadays and are in large department stores all over the world. Do they even have stand alone stores?

Eau de Minthé by Diptyque 2019

Parfumo gives these featured accords:
Mint, Nutmeg, Rose, Patchouli

OOOOH Minty goodness, like a herbal mint tea with some spices giving it an added warmth. Yes, the opening zings and is very refreshing but eau de Minthé is not only a hot weather fragrance. It also works perfectly in the cool. The greenery is given sheer earthy warmth from the patchouli. Modern patchouli.

I recently bought some patchouli dark essential oil. We used to sell patchouli oil when I was a kid working in a barber/tobacconist. I never liked it then, it was too potent and real for me. I was only interested in Aramis, Ralph Lauren Polo and Safari at the time. Having the EO in adult life has opened my eyes to how patchouli was. I can’t think of a fragrance that smells like the real deal in modern times.

The rose mentioned in the notes is not the star of the show, hardly even a bit player. Every now and then it pokes its fruity rosiness out and is then subsumed. I’m getting a smell that seems like angelica, a wispy sharp green, bittersweet and full of the end of summer ripeness.

Eau de Minthé is nice, not usual and if I’m being honest i think I’d prefer it as a room spray. Maybe even a linen spray. I could easily imagine getting into a bed smelling like this and drifting off into sleep. So much so that it’s going to be my bedtime scent tonight.

eau minthe

Are you a fan of mint in fine fragrance? Is there one you love?

Portia xx

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Rose et Cuir by Editions de Parfums Frederic Malle

Notes: Pepper, Geranium, Blackcurrant, Vetiver, Cedar and Leather

To get the best out of trying Rose et Cuir – the new Frederic Malle release – for the first time, I think it’s a good idea to manage a few expectations:

Firstly, this is not a rose perfume. Secondly, it is not a birch tar leather. Thirdly, it is a departure from Jean-Claude Ellena’s work at Hermes.

Now on to what it IS.

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Rose et Cuir is a dark and stealthily dramatic leather with a bitter heart. I have been struggling terribly with sweetness in perfumes recently so this is not an issue for me but I can see some people finding it a turn-off.

On spraying, I get the rosy greenness of geranium with tremendously smooth pepper. The dewy rose effect is made all the more beautiful because you are experiencing it through a tangle of thorny brambles. It represents the last rays of sunlight filtering through the trees before you’re drawn deeper into the forest.

When most people think of a leather fragrance they think of the rich, smoky aroma created by birch tar in perfumes like Chanel’s Cuir de Russie. Ellena has chosen instead to work with Isobutyl Quinoline; a powerful synthetic which was used to create classic leather perfumes like Piguet’s original Bandit and Cabochard by Gres but has fallen out of vogue for some time. It has a distinctive, grainy, quality with an odour profile that is more like leather being processed at the tannery than the thick, smokiness of raw birch tar. The fact that it doesn’t overwhelm in Rose et Cuir is surely down to the perfumer’s skill.

The base is a cool green vetiver with no hint of swampiness and incredible lasting power. I prefer vetiver as an accent rather than a main player but it fits the character of the fragrance perfectly. A cosy amber or bland woodiness would have been a cop-out and this perfume doesn’t do compromise.

Frederic Malle has said this marks the start of a new era for Ellena and Rose et Cuir is a very modern take on a statement perfume. Even with all that moodiness, it never feels in the least bit heavy, floating airily just out of reach. There is no extraneous ornamentation (which is very Ellena).

Although it looks like it’s being marketed as a rugged, outdoorsy fragrance I feel it’s much more sophisticated and cerebral than that. It sets up an eerie tension between the potently poisonous and the painfully vulnerable.

Most of all Rose et Cuir is an intensely interesting perfume. Val the Cookie Queen and I have never talked so much about a new release (see her post here). We think it will be divisive but that’s no bad thing in my book. At least it’s creating a reaction in people. A fragrance of this quality that is so against the tide might not have existed without the full artistic freedom that Editions de Parfums Frederic Malle affords perfumers.

Do you like the sound of a sheer yet striking perfume or does the thought of a sharp green floral leather put you off?

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Absinthe Boreale by Maison Crivelli

Hi A Bottled Rose Peeps!

The boards are full of a new brand nowadays, Maison Crivelli. In a recent First In Fragrance order they sent me a couple of samples to try as a GWP. Woo Hoo! Even the names of these fragrances are interesting enough to grab my attention. Just a few of them include Santal Volcanique, Bois Datchai, Rose Saltifolia and the one we’ll be talking about today, Absinthe Boreale.

Absinthe Boreale by Maison Crivelli 2019

Nathalie Feisthauer

Parfumo gives these featured accords:
Absinth, Lemon, Plant juice, Fern, Lavender

OOOOOH! The opening is tart lemon, celery and broken willow twigs. It’s delightfully sharp and herbaceous. Unlike anything I’ve sniffed before. It has a strange warmth that I can’t place at all but it feels very familiar. One of those ubiquitous base notes that is both smooth woodsiness and furry fibreglass roof insulation. Strange but compelling mix, much like absinthe I suppose.

Not long in and lavender makes itself known. A sheer veil of lavender that damps down all other notes without erasing them. It’s like smelling through a lavender curtain. It remains the focus, yet not a big statement, right through the heart. As if it accidentally found itself in centre stage, with no fanfare of desire to shine, yet by its perfect placement and poise it leaves all other players looking wan and lifeless.

 

 

The name intrigues me. Absinthe is the drink that causes hallucinations and melancholy. Boreale might be referring to the Aurora Borealis, that chiaroscuro of gases that lights the northern skies. It certainly fits with this fragrance and its changing story from green to lavender and further into the dry down gold seeming warmth mixes in. It could be sweet vanilla and woods but there’s nothing in the note list to point it out.

 

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Every change within the fragrance life feels seamless and once you get there, inevitable. As if this fragrance was pre-ordained to be made, that there was already a space for it in our consciousness. Here it is.

Have you got your sniff on any of the Maison Crivelli fragrances yet? Does Absinthe Boréale sound like you could wear it?

Portia xxx

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Douleur by Bogue Profumo x Freddie Albrighton

Notes: Mint, Flesh, Rose, Candyfloss, Seaweed and Benzoin

I know tattoo artist and fragrance aficionado Freddie Albrighton through various meet-ups over the years and his (sadly defunct) perfume blog. I think it’s true to say that he has been drawn to maverick artisan perfumers and that they in turn, have been drawn to him. I imagine they share a similar sensibility. He did the marketing artwork for Vero Kern’s masterwork Rozy and now he has collaborated on a perfume with Antonio Gardoni of Bogue Profumo. How cool is that?

No doubt the project worked in part because they both have a love of novel aromas that not everyone would expect to find in a perfume. I mean, just look at that note list. It made me smile and reminded me of when my then 5 year-old niece said her pretend perfume was made of ‘Lavender, raspberries, rainbows, strawberries and peppermint’. Douleur isn’t child’s play, though it encompasses a similar level of blue-sky thinking.

 

I’ve seen the opening described a few times as ‘piercing’ and on spraying that is exactly the word. It’s a penetrating combination of everything that is to come but at the highest possible pitch and all at once. It’s as if the contents of the sample which seemed to be pulsating in my bag had been squirming to be set free and once the sprayer is depressed, every note hurtles for freedom.

Once it settles after a couple of minutes, the core of Douleur is revealed as rose oxide which is a material both Freddie and Antonio are fond of. You usually hear it referred to as a metallic rose but while I get that almost camphoric steeliness, my nose reads it more as a rose surrounded by bitter greens. This red bloom wrapped in vines is counterbalanced by wisps of candyfloss and a hint of dried seaweed saltiness.,
Over tume it softens and rounds out considerably as the comforting presence of benzoin in the base comes throigh. The various contrasts knit together and it smells like a ‘proper’, if uncommon, perfume with a mix of hot/cold, hard/soft and bitter/sweet facets.

It does indeed stick to the skin like a tattoo and billows out in waves, ensuring a devastating scent trail.

Antoni says “experiencing odours should be challenging and playful” and that’s exactly what trying Douleur is like. It takes me back to the time when I first got into perfume and inhaling something new was always exciting and interesting, even if it wasn’t to my usual taste.

We can get trapped in our comfort zones. Douleur has come to shake things up.

 

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Do you find yourself only sampling perfumes that are in line with what you know you already like? Would you give Douleur a try?

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Los Angeles by Gallivant

“Drive fast, I can almost taste it now
LA, I don’t even have to fake it now”

– ‘American’ by Lana Del Rey

Notes: Eucalyptus, Clary Sage, Mandarin and Pineapple, Narcissus, Tuberose, Cade, Guaiac, Nagarmotha, Musks and Heliotrope.

I haven’t been to Los Angeles since my 21st birthday but I know it’s more of a collection of discrete neighbourhoods than somewhere with a distinct focal point. Despite this, we all have a strong idea of the place.  The recent launch from British indie brand Gallivant, mirrors the differing aspects that meld together to create an overall impression which is that of a ‘neon floral’.

Los Angeles is Gallivant’s eighth release. You can read my mini reviews of London, Tel Aviv, Istanbul and Brooklyn here.

los angeles

 

The fruit cocktail and herbal top notes bring to mind louche parties in the Hollywood Hills amidst eucalyptus trees and aromatic plants.  I remember Katie Puckrik saying that the scent of LA was something like a mash-up of air-conditioning and sweet white flowers. That’s not dissimilar to the heart of Los Angeles: lush tuberose with a bubblegum quality freshened by an ocean breeze and the suggestion of salty skin.

When the sun sets we head to Sunset Strip with the scent of burning rubber on asphalt from those loud, flashy cars out looking for attention. Leather and smoky woods fill the air as Hollywood’s underbelly is revealed.  It’s an unexpected base considering the lurid top half of the fragrance, although you get hints of it from the start – a slight seediness  that is always lurking just beneath the surface, even in broad daylight.

It made sense when I found out the perfumer for Los Angeles, Karine Chevallier. also did Gallivant’s London which was shortlisted for an Art and Olfaction Award. It has the same eclectic mix that manages to intrigue rather than jar. An amped up fruity floral with a smoky, tarry base sounds unlikely on paper but it works and works well.

The Eau de Parfum has very good lasting power and low to moderate throw.

Los Angeles is a fun ride. It’s up for a good time but a sense of melancholy creeps in towards the end of night once the party’s over. It’s like one of those cinematic songs by Lana del Rey; sultry, hypnotic and just the right amount of trashy.

 

lana del

 

Do you have a favourite ‘destination perfume’? Let me know in the comments.

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Gucci Bloom Acqua di Fiori by Gucci

Hello A Bottled Rosers,

While you are all sweltering in heatwaves up north I thought we could chat about a new to me fragrance in my collection. Someone at Gucci has remembered how to make wonderful fragrances again. It’s really exciting and fun for me to find new Gucci fragrances to try and love. The Absolute range is killer and so too is the Gucci Bloom range.

Gucci Bloom Acqua di Fiori 2018

Alberto Morillas

Parfumo gives these featured accords:
Top: Galbanum, Blackcurrant bud
Heart: Jasmine, Rangoon creeper, Tuberose
Base: Musk, Sandalwood

A leafy green fruity floral aquatic. HA! Sounds particularly vile, doesn’t it? WRONG! It’s freaking wonderful. An aquatic wash that gives a salty seaside vibe without it feeling like the regular cucumber water that so many perfumistas find horribly reminiscent of the 1990s. Here it’s all poured over white flowers with a lovely tart yet unscreechy blackcurrant. Refreshing without resorting to most of the old fashioned tropes.

Gucci Bloom Acqua di Fiori is the late, hazy days of summertime captured in a bottle. In feeling it’s analogous to hanging out on a Sunday afternoon with a white wine spritzer and joining the kids running through sprinklers to cool off.

 

 

I really like the way that green is used, it’s an interesting, slightly off kilter leafiness with a hint of unripe fruit. The closest I can think in terms of feeling was that Annick Goutal scent Mandragore. Here we smell a similar ivy-like green cutting across everything else. The Gucci does it with a really lived-in set of musks and breathy white flowers which feels very tropical hotel gardens in the moonlight.

 

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A casual, wearable white floral fragrance that starts with the pep of thirst quenching water and finishes warm and cozy. Perfect summer wear but also excellent for our mild winter here in Sydney. It’s reminding me of what we look forward to in a couple of months time.

Have you tried any of the Gucci Bloom series yet? What did you think?

Portia xxx

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Most Worn – Summer 2019

I don’t plan on posting perfume reviews during August and Strange Tales From The Cookie Queen will be taking a break until the end of the month. However, Portia will be joining ABR on a monthly basis (yay) and inspired by her own excellent Summer List, I thought I’d share my own most worn perfumes this season.

The U.K. has experienced another heatwave this year with temps hitting an all-time high for July last Thursday of 38.1 degrees Celsius (about 101F). No joke when you don’t have aircon. Thank goodness for the cooling, distracting powers of perfume.

 

Eau de Rochas by Rochas

I love this cheapie from 1970 so much. You may not envisage it from the wide-ranging notes list but Eau de Rochas is all about lime and patchouli on me The tart lime against the raspy patch is bliss and has been perfect for muggy (overcast, humid) days. It makes a pleasant change from the white flowers or clean citrus. The bottle fits in well with my home décor too which is a bonus, haha.

Frangipani by Ormond Jayne

A dear friend in Sydney gave me a travel spray of this swoon-inducing fragrance when I stayed with her last summer. It reminds me of her every time I wear it. Frangipani is my favourite of the OJ white florals. It’s all creamy petals and tropical langour with zero screechiness. A squeeze of lime cuts through the buttery flowers like an ocean breeze.  The carefree, barefoot feeling it gives me is priceless: carrying me off to the Polynesian islands which I hope to visit for real one fine day.

 

 

Eau de Mandarine Ambrée by Hermes

The Hermes Eau de Cologne collection is top-notch and in an ideal world I’d own all of them. Eau de Mandarine Ambrée takes the fruity note that makes me the most happy – mandarin – and combines it with a lightweight, sunlit amber to extend its lasting power. My friend was disappointed that the mandarin didn’t last longer and gifted me her bottle but it doesn’t bother me. It can be a little syrupy so I wear it when the heat is in the low to mid twenties.

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Prodigieux le parfum by NUXE

I love the original NUXE multi-use oil – it has a sprayer and dries quickly, as well as smelling great. The scent reminds me of summer holidays sur le continent. Where others cite Bronze Goddess as their beach perfume of choice, I’m not so fond of the prominent coconut accord. Prodigieux le parfum is the perfect beachy scent for me with its notes of orange blossom, magnolia and vanilla. It brings me all those old school sun lotion vibes while I’m chained to the office desk. I only wear it when the temperature hits the high 20s. It doesn’t feel right to be laying on the sand – olfactory speaking –  otherwise.

 

 

 

Iris Silver Mist by Serge Lutens layered with Seville a L’Aube by L’Artisan Parfumeur

Here’s the curveball. EauMG recently posted a fantastic Instagram story about how she was standing next to an older lady who looked like an ex-model and smelt amazing. She screwed up her courage and asked what she was wearing. It turned out to be Chanel’s Paris-Venise (neroli, vanilla, tonka) layered with Iris Silver Mist. MIND BLOWN. I don’t own the Chanel so I improvised with the orange blossom oriental Seville a L’Aube instead. It it worked well. The Artisan can be a little ‘thick’ and sweet so ISM’s cool steeliness was a great counterbalance. I just need to use a bit less SaL’A or flip the order because I lost that stunning iris after a while.

 

How’s your summer coming along? Any perfumes you’ve been loving in the heat?

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