Monthly Archives: November 2017

Une Robe de Zibeline by DSH Perfumes

Notes: aldehydes, bergamot, black pepper, lemon, spice notes; ylang ylang, Bulgarian rose absolute, carnation,  jasmine, orris, rosewood, tobacco absolute, coumarin, sable fur accord; ambergris, beeswax, brown oakmoss, castoreum, civet, patchouli, benzoin, labdanum, tolu balsam, leather

 

There are a number of fabulous American indie perfumes but thanks to the vagaries of the postal system, it’s usually not easy to get your hands on their fragrances outside the States. Dawn Spencer Hurwitz is one such perfumer based in Boulder, Colorado. The good news is that her perfumes can now be shipped internationally via the website.

I was fortunate enough to receive a package of samples showcasing the 2017 releases from DSH Perfumes. I will do a post with mini reviews of some of the highlights but I did want to single one out for special mention.

Une Robe de Zibeline was released in September as another instalment of the ‘Retrograde Files’ series.  These perfumes were discontinued because of the limited availability of ingredients. However, thanks to renewed interest in Retro-Nouveau/Animalic perfumes, Une Robe de Zibeline has been re-worked as a grand, vintage-style scent.

Dawn describes it as a smouldering fragrance and it is exactly that. The sensuality is on a low burn rather than full blast. It’s relatively quiet on me and lasts about half a day but results from spraying are likely to vary from applying using the roller-ball sample.

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Une Robe de Zibeline is French for sable coat and the fur subgenre of fragrances is quickly becoming a favourite of mine. This vintage sable scent satisfies my love of subtle, old-school animalic style fragrances where the musk is close to the skin and under the radar.

The opening is full of aldehydes which are silky soft and give the perfume a milky glow.  They immediately put it in the vintage inspired category but also give it some lift. They feel like gossamer and momentarily conceal what is to come with their silvery, glistening web.

For some reason you don’t get a lot of ylang-ylang dominant perfumes which aren’t tropical and indeed Une Robe de Zieline is actually Dawn’s only perfume with this flower at its heart. The ylang-ylang may be prominent but it doesn’t dominate the other accords  but gives them a focal point and creates a beautiful contrast with the dry musk base. When the aldehydes melt away you can breathe in these gorgeously soft, creamy yellow blooms

The ylang-ylang flowers are of course, pinned to an antique fur, making this oriental fragrance more multi-faceted and floral than most in this genre. Some fur coat perfumes are all about the musk, which is fine but what I like about Une Robe de Zibeline, is that is so nicely balanced. The beauty of the flowers tames the beast just enough so it’s soft and pretty as well sophisticated and seductive. Here we have a floral animalic perfume with complexity and that’s what clinches it for me.

 

 

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Do you like retro-inspired fragrances?

 

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Miss Dior Vintage Parfum by Dior

Top: Aldehydes, Gardenia, Galbanum, Clary Sage, Bergamot
Heart: Carnation, Iris, Jasmine, Neroli, Lily-of-the-Valley, Rose, Narcissus
Base: Labdanum, Leather, Sandalwood, Amber, Patchouli, Oakmoss, Vetiver

 

I feel foolish because for years old-school Miss Dior never appealed to me enough to try it. It wasn’t just that there have been countless reformulations over the years or the risk of falling for a vintage gem. To be honest, I think it was the word ‘Miss’ in its name and the association with the ultra-feminine full skirts of Christian Dior’s ‘New Look’ of 1947 – the year of its release.  I assumed Miss Dior wasn’t for me, that it would be too prim and proper.

Now I’ve experienced the wonder that is vintage Miss Dior Parfum (thanks to Miss Portia) I couldn’t have been more wrong. I can see there is a kind of houndstooth smartness to classic Miss Dior but oh, there is so much more to this iconic chypre under its pristine surface.

It’s one of those perfumes that is incredibly cohesive, so tightly woven, that it has a distinct character and persona all its own. This makes it rather tricky to unpick and separate into its constituent parts, but we shall see…

 

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Vintage Miss Dior is glorious from the start. It’s all there; the green-veiled florals with that unmistakable backing of real-deal oakmoss which, along with labdanum and patchouli, give it that addictive chypre tang.

The aldehydes are whisper soft, no doubt because the juice is several decades old. Copious galbanum can make a fragrance come across as steely, but here the austere queen of green is softened by waxy garlands of gardenia flowers.

Perhaps what strikes me most is the fragrance’s texture.  The floral heart is set against a backdrop which Neil of The Black Narcissus described perfectly as “tweedy”. The weave and waft of the original Miss Dior has a cross-hatched grain that I see in shades of dark brown, slate grey and forest green, relieved by flecks of white.

It doesn’t take long – about an hour – for a thread of castoreum-style musk to unravel from the whole and make its presence known. There is a hidden filth scene behind the façade of respectability.  I covet this kind of contrast because it creates intrigue and true allure. This only deepens through its development.

Down in the base, a leather of the super strict variety is revealed. The provocative mixture of cool oakmoss, animalic musk and hard leather is the last thing you’d expect under that crisp, buttoned-up exterior.

Miss Dior never has to take her gloves off in order to put others in their place: just being around her makes everyone mind their manners and sit up a little straighter. It’s an irresistible combination of seductiveness and no-nonsense.

What may at first look appear to be schoolmarmish frigidity is actually leather-bound suggestiveness masked by a show of propriety.

Miss Dior is fragrant subversion of the most elegant kind.

 

 

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Do you adore vintage Miss Dior? How does the current Miss Dior Originale compare?

 

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WARSZAWA by Puredistance

 

Notes: Galbanum, Grapefruit, Violet Leaf, Jasmine Absolute, Broom Absolute, Orris Butter, Patchouli, Vetiver and Styrax

 

Puredistance put the class back into luxury perfumery. It seems these days that a number of brands in this exclusive niche are focusing on the blinged-out packaging, with the fragrant contents coming as something of an afterthought. Puredistance have elegant, covetable packaging but more importantly, meticulously composed, high quality scents.

Warszawa is their eighth release and the third authored by perfumer Antoine Lie. It promises to transport the wearer to “a dreamy world of old-time chic” and seeing as this is one of my favourite types of fragrance, I’m feeling hopeful…

 

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Warszawa is an uncommon boudoir scent. It’s a powder puff of creamy florals with a glints of galbanum and citrus to start. This allows it to take off without the powder dragging it down. Through its development, it moves from bright green to deepest velvety emerald.

It’s a modern interpretation of the Roaring Twenties with all the glamour and dizzyingly good times that encompasses.  Sometimes powdery perfumes can feel dated but Warszawa feels beautifully retro.

Boudoir perfumes are often reminiscent of vintage cosmetics and Warszawa also mines that seam. Picture a woman with Marcel Waves in her lingerie and stockings, who is attending to her toilette before an evening of decadence. From her vanity, she applies rose-scented blush, waxy lipstick and an iris face powder. As a finishing touch, she dabs on a rich jasmine perfume, creating a cloud of lusciousness.

What sets Warszawa apart from most other boudoir/cosmetic fragrances however, is that it has a smooth green overlay. I’ve come across broom absolute in perfumes like Amouage’s Opus III. It’s redolent of overgrown meadows of wildflowers and heaps of honeyed hay.  Antoine Lie takes these untamed aromas of nature and moulds them into something incredibly warm, intimate and refined. Vanessa summed up Warszawa perfectly in her Bonkers post as a “forest green corset”.

It’s a full-bodied, kaleidoscopic fragrance that doesn’t have clear demarcations of individual accords or a top/heart/base. Puredistance fragrances tend to be supremely well blended and this is no exception.

Warszawa feels feminine in an entirely grown-up way; it doesn’t equate femininity with syrupy sweetness. This is a ‘heels and winged eyeliner perfume’ and veers nowhere near the nebulous pink fluffiness aimed at the youth market.

Of course a guy can rock anything he chooses but I love it when a truly womanly fragrance is released. Even long-established perfume houses like Guerlain and Chanel are clamouring to woo Millennials, thereby making women over forty feel invisible. Therefore, it’s good to find that Puredistance isn’t chasing the latest trends and has made a perfume that feels like me.

Warszawa is now my favourite fragrance from the collection and with 25% parfum oil, you only need a single spray for knock ’em dead sillage and all day longevity.

 

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Do you long for more fragrance releases that feel like they are aimed at you?

 

 

 

 

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Two Favourite Balm Cleansers

When I get home from work the first thing I do after making a cup of tea is take off my make-up. I do a pre-cleanse with micellar water to remove my mascara and lipstick and then go in with a balm to get rid of the rest (base, concealer, blush, SPF).

Balms are my preferred evening cleanse because they are thorough yet feel good for the skin. There is also a therapeutic aspect to them; you literally feel like you’re wiping the day away.

I used to use micellar water to take off all my make-up because it felt easier than messing around at the sink with water. However, I found that it dried my skin out and using a balm is actually quicker as well as more effective.

I spread a blob between damp hands and apply it all over my face. I then run a fannel under the hot tap, wring it out and use it to wipe off the cleanser. They are more pricey than cream cleansers or face washes but last ages.

There are a few balm cleansers around but I like the ones that are solid rather than cream-like. Clinique’s Take The Day off Cleansing Balm is a cheaper alternative to those below, but the lack of scent makes it rather joyless.  I normally askew heavily scented products in skincare but cleansers are one of my exceptions because they don’t stay on the skin.

Here are my two favourites: –

 

 

Emma Hardie Amazing Face Moringa Cleansing Balm 

Two of the reasons I love this cult cleansing balm are that it’s oily and has a fabulous orange scent. It contains essentials oils of orange, neroli, mandarin, jasmine and rose in addition to moringa seed extract which has numerous skin benefits. The base is grapeseed oil and sweet almond oil, however unlike the next balm, it is not all-natural.

I’m not sure how it does it but this balm manages to act as a deep cleanse as well as a skin conditioner. I use it on those occasions when I have a full face of make-up or am purely craving that uplifting scent. As suggested by Emma Hardie, I sometimes use it as a mask while in the bath so the oils can sink in. It’s available from Marks and Spencer but there are often deals online. It comes with a nice cleansing cloth.

 

Jane Scrivner Nourishing Cleansing Blam

Someimes I want something simple which isn’t heavily scented. This Nourishing Balm fits the bill but is still a pleasure to use. It’s more waxy with a lighter consistency than the Moringa Cleansing Balm. It has the refreshing scent of an essential oil blend; the type you often get in all-natural products such as this. It contains organic jojoba oil, beeswax and essential oils of ylang ylang, elemi, eucalyptus, frankincense, lemongrass, lavender, myrrh, sandalwood and sweet orange.

As the name suggests, this balm feels really nourishing rather than stripping.  I use it on days when my skin feels dry/delicate and it leaves it feeling soft and plump.  Again, it comes with its own fluffy cleansing mit.

 

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Please let me know if you have tried either of these or your thoughts on other cleansers.

 

 

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