Tag Archives: Floral

Irisistible by April Aromatics

Optimistic iris…

Notes: Lemon, Iris, Rose, Jasmine, Tuberose, Cassia and Sandalwood

Goddess Iris gifts humanity with the understanding that all aspects of life are sacred and it is in the weaving of the dark and light within ourselves that we find our wholeness.

In recent years I have become enthralled by the Greek myths and was particularly taken with the Goddess Iris because she is the messenger that travels by rainbow from heaven to earth. She also gave the flower its name.

Irisistible is the new offering by indie house April Aromatics. It takes its inspiration from the Goddess and the material of the same name, by incorporating a myriad of colourful notes with iris at its core.

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I wondered if Irisistible would be more of a bouquet of flowers than iris-centric given the rainbow theme, but no. This is very much an iris fragrance with a bright, floral twist.

On spraying there is an exquisite flash of iris. As it settles, an unusual, bitter accord comes through which I’m putting down to the presence of cassia. This is a spice extracted from bark, similar to cinnamon but more pungent and nowhere near as sweet. Once this fades away (in under an hour) the heart of the fragrance is made up of gorgeous Iris Pallidia; a yellow iris from Italy. It’s doughy and somewhat powdery rather than cold and rooty.

Perhaps surprisingly, iris is not overshadowed by her showier sisters – jasmine and tuberose. They stay in a supporting role and I wouldn’t even know there was tuberose present if I hadn’t read it in the list of notes. The florals give the iris a pretty, dewy backdrop and make this often melancholy material more outgoing and easier to get along with. It’s the polar opposite of my favourite, Iris Silver Mist which I rather love for its insularity.

Irisistible is a gentle perfume but longevity is very good.  

The overall mood of the fragrance is one of shimmering light and buoyancy. Its a fragrance to brighten your mood and add a little colour to dark days. It would be a good scent choice when embarking on a journey of your own because it is both unobtrusive and full of possibility.

 

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April Aromatics has a substantial collection of organic natural perfumes and an iris is a welcome addition. You can read my mini reviews of a selection of their other fragrances here.

 

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WARSZAWA by Puredistance

 

Notes: Galbanum, Grapefruit, Violet Leaf, Jasmine Absolute, Broom Absolute, Orris Butter, Patchouli, Vetiver and Styrax

 

Puredistance put the class back into luxury perfumery. It seems these days that a number of brands in this exclusive niche are focusing on the blinged-out packaging, with the fragrant contents coming as something of an afterthought. Puredistance have elegant, covetable packaging but more importantly, meticulously composed, high quality scents.

Warszawa is their eighth release and the third authored by perfumer Antoine Lie. It promises to transport the wearer to “a dreamy world of old-time chic” and seeing as this is one of my favourite types of fragrance, I’m feeling hopeful…

 

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Warszawa is an uncommon boudoir scent. It’s a powder puff of creamy florals with a glints of galbanum and citrus to start. This allows it to take off without the powder dragging it down. Through its development, it moves from bright green to deepest velvety emerald.

It’s a modern interpretation of the Roaring Twenties with all the glamour and dizzyingly good times that encompasses.  Sometimes powdery perfumes can feel dated but Warszawa feels beautifully retro.

Boudoir perfumes are often reminiscent of vintage cosmetics and Warszawa also mines that seam. Picture a woman with Marcel Waves in her lingerie and stockings, who is attending to her toilette before an evening of decadence. From her vanity, she applies rose-scented blush, waxy lipstick and an iris face powder. As a finishing touch, she dabs on a rich jasmine perfume, creating a cloud of lusciousness.

What sets Warszawa apart from most other boudoir/cosmetic fragrances however, is that it has a smooth green overlay. I’ve come across broom absolute in perfumes like Amouage’s Opus III. It’s redolent of overgrown meadows of wildflowers and heaps of honeyed hay.  Antoine Lie takes these untamed aromas of nature and moulds them into something incredibly warm, intimate and refined. Vanessa summed up Warszawa perfectly in her Bonkers post as a “forest green corset”.

It’s a full-bodied, kaleidoscopic fragrance that doesn’t have clear demarcations of individual accords or a top/heart/base. Puredistance fragrances tend to be supremely well blended and this is no exception.

Warszawa feels feminine in an entirely grown-up way; it doesn’t equate femininity with syrupy sweetness. This is a ‘heels and winged eyeliner perfume’ and veers nowhere near the nebulous pink fluffiness aimed at the youth market.

Of course a guy can rock anything he chooses but I love it when a truly womanly fragrance is released. Even long-established perfume houses like Guerlain and Chanel are clamouring to woo Millennials, thereby making women over forty feel invisible. Therefore, it’s good to find that Puredistance isn’t chasing the latest trends and has made a perfume that feels like me.

Warszawa is now my favourite fragrance from the collection and with 25% parfum oil, you only need a single spray for knock ’em dead sillage and all day longevity.

 

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Do you long for more fragrance releases that feel like they are aimed at you?

 

 

 

 

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Moon Bloom, Shangri La and Dilettante by Hiram Green

When artisan perfumer Hiram Green kindly offered to send me fragrance samples from his home in The Netherlands, the first one I thought of was Arbolé Arbolé. I’d heard great things about it but as it turned out, this was the one that suited me the least (I find orientals tricky). Therefore I’ll refer you to Val the Cookie Queen’s wonderful post about it on APJ here.

Below are my thoughts on the other three, all-natural, Eau de Parfums.

 

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Shangri La 

Notes: Citrus, peach, jasmine, rose, iris, spices, vetiver, and oakmoss. 

Shangri La is Hiram Green’s interpretation of the classic chypre, a century after Coty started the genre with the original of the same name.

Of course this is a modern version but its genre is recognisable straight away.  There’s peachy citrus undercut by a background of oakmoss, which instantly reminds me of  Mitsouko.  You should give Shangri La a try if you already love the iconic Guerlain or you want to but don’t, because this is much more accessible.  It still has the humid feel and oakmoss of Mitsouko but the peach is much more juicy.  Shangri La possesses that full-bodied sophistication that is so characteristic of chypres.

 

Dilettante

Notes: Orange Flower, Petitgrain, Orange Essential Oil

I’m always hopeful when trying an orange blossom perfume but all too often they are overly soapy or indolic. However Dilettante is pitch perfect. Within the first few seconds alone I get all the aromatic aspects of the orange tree: zesty fruit, green leaves and lush blossom.

Orange blossom, pettigrain and orange essential oil are such fantastic natural materials that they are ideal for an all-natural perfume. You really don’t need much else. Dilettante is smooth, sunlit and full of orange flower goodness, becoming mellower yet richer over time.  It moves through all the shades of orange from bright flame through to burnished gold. It’s a simple composition that just works. Summer is exactly the right time to try it too: no other type of fragrance is so full of liquid sunshine. Yum.

 

Moon Bloom

Notes: Tuberose Absolute, Jasmine Absolute, Ylang Ylang, Coconut, Leafy Greens, Spices and Resins.

I own some tuberose absolute and I much prefer it to the often headache inducing synthetic version. It is fresh, narcotic, tropical, buttery and fleshy, as well as deeply sensual. You get all of that in Moon Bloom as well as the facet that smells like bubblegum. Admittedly tuberose is not my favourite material but I appreciate it for how incredibly striking and complex it is.  Here it’s complemented with other white florals and fresh green notes.

In contrast to most tuberose perfumes, Moon Boom hums at a low register, intensifying its sultry feel. The coconut is not immediately obvious but adds a creamy texture and rounds out the composition while also accentuating the exotic feel, stopping short of beachy. This is a nocturnal fragrance for hot and humid nights and a must-try for tuberose fans.

 

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None of these three fragrances suffer from the dual criticisms of flatness or short-life which are usually leveled at natural perfumery. All are available in a 50ml bottle and 10ml Travel Size (hurrah!).

Have you tired any of Hiram Green’s perfumes? If not, do any of the above pique your interest?

 

 

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Mood Scent 4 – Wedding Guest Perfumes

 

We are four perfume bloggers from four different places on the globe but together we are the Mood Scent 4. If you didn’t catch our first joint post, Rainy Day Perfumes, you can read mine here with links at the end to the others.

June has long marked the start of the traditional wedding season. Some of us will be getting ready to attend and wish the happy couple well, but what to wear? Of course, I’m referring to perfume.

For me it all depends on the location. Weddings can take place almost anyway these days but I’ve picked four of the most popular choices and paired each of them with an appropriate scent.  Yes, they are all florals of a kind but I don’t think someone else’s Big Day is the time to show off one’s edgy taste in fragrance.

 

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The Church Wedding

No. 22, Chanel

You can’t get more demure and well behaved than Chanel so it’s the obvious choice for a church wedding. No. 22 is a bit more special than the house’s well known offerings because it’s part of Les Exclusifs. The combination of squeak clean aldehydes, orange blossom and a wisp of incense makes it very fitting for a religious ceremony. Orange blossom has a long history of being worn by brides in their headdresses and bouquets.

The Country House Wedding

Mito Voile d’Extrait, Vero Profumo

A classy countryside do like this needs a sophisticated but unstuffy scent to suit. Mito Volie d’Extrait is a perfect match for the grounds of a stately home or rural hotel with because it was inspired by the greenery, statues and fountains of a famed Italian garden. Fizzy and sherbet-y to start, Mito settles into a green floral with lush magnolia and just a touch of fleshy tuberose. It feels both joyful and elegant. Actually, my lovely friend The Candy Perfume Boy wore Mito at his own exquisite scented wedding in the country.Mito

The Destination Wedding

 

Frangipani, Ormonde Jayne

I’m all for jetting off and getting married somewhere tropical. So if you’re going to be celebrating the couple’s nuptuals on the beach, I recommend the beautiful Frangipani. It’s floaty and tasteful but the blooms are rich and creamy, perfectly sliced through with a dash of lime. This is a very romantic fragrance which is perfect for an exotic location. You could also go for the luggage friendly travel set.

 

The Chic City Wedding

Le Parfum de Therese, Editions de Parfums Frederic Malle

My interest in the Frederic Malle line has been reignited recently with travel bottle purchases of Superstitious and Iris Poudre.. For a cool and stylish registry office wedding in Marylebone or the likes, I’ve gone for Le Parfum de Therese. It already has a romantic backstory because perfumer Edmund Roudnitska created it for his wife in the 60s and it was only released to the world in 2010. It’s a classy fruity chypre with ripe plum and melon and a chic undertone of leather.

 

 

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Make sure you check out the other Wedding Guest Perfume posts at Megan In Sainte Maxime, I Scent You A Day and L’Esperessence.

 

Which fragrance have you chosen to wear as a wedding guest?

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London, Istanbul, Tel Aviv and Brooklyn by Gallivant

For the last few years I’ve taken holidays exclusively in cities and while not exactly restful, I’ve loved every minute of it. There’s something exhilarating about exploring a metropolis and seeing how you slot into it.

British indie perfume house Gallivant has recently launched with four fragrances that intend to capture this free-wheeling feeling. Founder Nick Steward has worked in the industry for many years, most recently as product and creative director of L’Artisan Parfumeur. He created the collection with two independent perfumers, namely Karine Chevallier and Giorgia Navarra (the latter being the Italian protégée of Bertrand Duchaufour).

 

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London

Notes: Cucumber, Rose de Mai Absolute and Leather

Being a born and bred Londoner, of course I was curious to try a perfume inspired by my city. Cucumber is a note I struggle with but I don’t notice it specifically. Instead the opening is generally very fresh, green and water-filled, but with something almost skanky just beneath the surface.  Once it dries down, the leather comes across as raw and a little musty, like the leather jackets on the vintage clothes stalls in Camden Market, turning lightly rosy over time. London is an unconventional shape-shifter, morphing from a green aquatic into a floral leather. Like its fragrant namesake, London is full of eccentric contrasts; a place where you can be your own strange self.

 

Istanbul

Notes: Cardamom, Geranium, Patchouli, Vanilla and Amber

I fear the city of Istanbul might rather overwhelm me but I bet it’s a fascinating place to visit with its coming together of east and west, ancient and modern. There is certainly a novel opening to the fragrance of the same name.  The combination of cardamom and herbs makes for an unusually fresh, almost mentholated, spice accord. The aromatics continue into the heart with geranium and lavender backed by spiced amber. It has the texture of suede and gets progressively drier and dustier in the base. Istanbul takes a few unexpected turns on this well-trodden oriental path.

 

Tel Aviv

Notes: Clementine, Jasmine Sambac Absolute, Musks and Deertongue Absolute

It’s nice to see a city represented in scent that is not one of the usual suspects. Tel Aviv brings the laid-back beach vibe into the heart of the city. It’s an easy-to-like tropical floral with a relaxed feel. After a brief burst of clementine, the clean jasmine and fruity ylang-ylang combine to give that luscious, languorous effect so typical of this much-loved genre. You can almost see the bright white light reflecting off the buildings and feel a refreshing airiness among the flowers. I’ve heard Tel Aviv is a hedonistic city and Gallivant were aiming for “lingering 1970s glamour”.  The warm, lightly musky base gives us a taste of that.

 

Brooklyn

Notes: Lemon and Orange Juice, Magnolia, Transparent Flowers and Musks.

I stuck to Manhattan when I visited New York but this feels like a good fit with how I imagine Brooklyn to be. The fragrance is bright and fizzy which chimes with what I assume is the buzzy and hip borough of the city. It reflects the intellectual, creative types you’d expect to find hanging out on the sidewalks.  They probably wouldn’t wear anything fussy so this citrus with substance seems to hit the mark. Fuzzy musks and cardamom massively extend the life of the sherbet-y citrus into the soft, white floral heart and beyond. Somehow Brooklyn manages to feel lively and breezy at the same time.

 

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The focus on top quality materials is clear and I can imagine the streamlined approach appealing to the urban explorers Gallivant is aimed at.  While sleek and accessible, each composition still has a quirk of its own.

It’s also good to see a new brand in the indie/niche sector enter at a sensible price point with the “nomad sized” 30ml EdPs coming in at £65. Individual samples are available as well as a Discovery Set, via the website.

 

Let me know your thoughts about the sound of this new brand in the comments. Do any of the cities appeal to you?

 

 

 

 

 

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Ma Bête, Night Flower and Belle de Jour By Eris Parfums

Bringing sexy back…

 

If you’re seriously into perfume, chances are you’ve visited Barbara Herman’s treasure trove of a blog, Yesterday’s Perfumes. It contains a wealth of information about vintage fragrances and was a great help to me when I was researching an eventual purchase of vintage Vol de Nuit extrait.

In 2013 Barbara released a book “Scent and Subversion: Decoding a Century of Provocative Perfume“. Earlier this year she launched Eris Parfums.  Working with perfumer Antonie Lie, the intention was to create luxury fragrances that would “celebrate unconventional beauty and subversive glamour” The first collection of three EdPs, La Belle Et La Bête (Beauty and the Beast) is a contemporary re-imagining of the striking and seductive floral animalic perfumes of the past.

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Ma te

Neroli, Aldehydes, Nutmeg, Cypriol, Stypras, Jasmin Sambac, Cedarwood, Patchouli and Animalic Accord

As you would expect from a perfume entitled “My Beast”, Ma Bête is an animalic. Although to start with, it’s not that variety of uncomfortably intimate skank. In the opening stage, it consists of a very sexy yet supple musk accented with neroli and a touch of spice. It has the soft texture of a vintage fur stole, wearing close to the body and giving it that second skin feel. There’s nothing invasive or TMI about it for now.  It’s sexual in the way an old Hollywood movie star could be sexual, with a certain look accompanied by the arch of an eyebrow.

Ma te has one aim and one aim only – to seduce. In the base the beast’s growl turns to a roar and you appreciate the fact that Lie used a 50% overdose of his own animalic cocktail. You could argue that it’s not very complex but I guess when you are in the mood for musk, you want it front and centre (as it were).

 

Night Flower

Bergamot, Cardamom, Leather, Suede, Indian Tuberose, Birch Tar, Patchouli, Cinnamon, Musk and Tonka

I approached Night Flower with some trepidation because I am not generally a tuberose perfume fan, to put it mildly. However, it actually turned out to be the one I enjoyed the most. The opening is a combination of bergamot, suede, cardamom and incredibly smooth tuberose. Instead of being the man-eater it usually is, here the de-fanged flower adds a layer of pink bubblegum sweetness. There’s nothing overblown or headache inducing about it.

Over time the suede turns to birch tar and Night Flower now resembles a pair of long leather gloves that hold just a trace of Fracas. It’s dark, warm and slightly powdery. I hope Lie and Herman won’t mind me saying this, but there’s an ambery muskiness present in the base that takes me back to the bottle of Obsession I owned and loved in my youth.

Belle de Jour

Orange Flower, Jasmine, Coriander, Pink Peppercorn, Ciste, Jasmine, Pimento Berries, Cedarwood Incense, Musks and Seaweed Absolute.

Compared to her two counterparts, Belle de Jour opens up surprisingly fresh, with orange and jasmine blossom petals twisting in a salty sea breeze. Here the requisite musk is white and buoyant. It stays at this elevated pitch for a couple of hours. Thereafter it smooths out, becoming floral scented, cashmere-like, clean musk. The texture is raw silk on clean skin.

Antoine Lie says “Belle de Jour is a study in contrasts: a very luminous floral that is salty, sexy and dirty.”  However, it never becomes dirty, or even naughty, on me which is a shame. I’m sure this is because I’m not picking up the type of musk used in the base, as regularly happens with me.

 

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Do you like this retro style? Have you tried any of these three?

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April Aromatics Mini Reviews

Berlin-based April Aromatics offers a luxurious collection of roll-on oils and EdPs as well as  room and body mists. Tanja Bouchnig exemplifies the strong connection you usually find between artisan perfumers and their perfumes. She takes a holistic approach; the all-natural botanical essences are based in organic jojoba oil or organic alcohol and the scents are infused with the essences of semi-precious stones.

 

“I strongly believe that people can feel the love and energy I give into my perfumes, may it be conscious or unconscious.”- Tanja Bouchnig

 

I’m extremely grateful to The Perfume Magpie for generously sending me samples of 8 of the 13 Eau de Parfums. All quotes from the April Aromatics website.

 

Purple Reign

Notes: Natural Lilac tincture, Violets, Lavender, Osmanthus petals, Jasmine flowers, Orris Root, Oppoponax, Purple Light

“Purple Reign is more than a perfume, it is a scent designed to improve self-awareness and to raise our energetic vibrations.”

Purple Reign is a floral bouquet largely consisting of deeply fragrant lilacs and violets, supported by lavender and osmanthus. It contains the various facets of all these flowers; green, metallic, powdery and cool.  It covers the purple olfactory spectrum from pale lilac to darkest indigo.

Jasmina

Notes: 100% natural extracts of Jasmin Grandiflorum, India and France, Ylang-Ylang/ Thailand. Pink Grapefruit USA.

“An aphrodisiac par excellence.”

Wow this is like inhaling a jasmine bush at nightfall.  Jasmina is incredibly lush, radiant and full. While deeply sensual, I don’t find it uncomfortably indolic or heady. The pink grapefruit gives it freshness in the early stages while the ylang lends it a creamy feel later on. A must-try for jasmine fanatics.

Calling All Angels

Notes: Incense, Labdanum, Tonka Bean, Vanilla Accord, Benzoin, Elemi Resin, Frankincense, Amber Accord, (from natural essential oils), Honey Accord, Precious Woods Accord, Opoponax, Rose Otto, Love and Angel Guidance

“…implementing the elements of Earth, Ether and Air. Made with love, inspired and guided by Angels.”

Incense has long been used to appease the gods and so it’s fitting that Calling All Angels isn’t sweet and fluffy but an enticing concoction of honeyed resins. If you could see the scent it would be emitting a warm, golden glow. The frankincense is very nicely balanced with the balsams so that it never feels too harsh or too sweet.  It’s pretty impressive.

Rosenlust

Notes: Rose Otto/Turkey, Rose/Bulgaria, Rosewater, Rosewood/Brasilien, Pink Grapefruit/USA, Ambrette Seed, Tonkabean, Orris Root, Organic Alcohol

“The rose is a symbol of love, peace and beauty and is seen as the “queen” of all flowers.”

This is an armful of red roses which showcases the multi-faceted nature of the natural essence. Rosenlust is spiked with pink grapefruit in the opening and to start with it’s a little spicy, a bit metallic and a tad green. As it develops the roses warm up and bloom on the skin, becoming more softly honeyed. This is a rose true story.

 

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Erdenstern

Notes: Botanical musk, botanical ambergris accord, tonka bean, cacao, opoponax, vetiver, tobacco.

“The mystery of Avalon, the holy place between the worlds of gods and mortals, is the inspiration for Earth Star/Erdenstern.”

Erdenstern is deep and dark with tobacco leaves, earth, vegetation and woods. The botanical musk gives it lift while cacao gives it a twist.  There’s also something ashy about it, as if the tobacco leaves have already been smoked. It’s an extremely well balanced, complex and unusual composition. The dry and cool notes of vetiver and tobacco are tempered by the sweet and warm notes of tonka bean and cacao. If Calling All Angels is golden then Erdenstern is dark grey. I can imagine it wearing beautifully on a misty autumnal day.

Ray of Light

Notes: Accord of lime, lemon, pink grapefruit, orange and bergamot, galbanum, green mint, vetiver, tobacco

“Picture a classical still life: citrus fruits surrounded by mint leaves, a pipe on the side…””

True to its name, Ray of Light is a shining star-burst of citrus. It zings and fizzes with a classic lemon cologne opening, only more substantial.  It feels as if someone has struck a bell and the high pitched tone rings out, clearing all fuzziness and making you intensely aware. The tobacco gives a sense of something deeper and darker behind the brightness.

Liquid Dreams

Notes: Lemon Peel/Sicily, Lindenblossom/Bulgaria, Narzissus/France, Osmanthus Blossom/China, Organic-Alcohol

“This youthful, light scent is reminiscent of an open field of greens and flowers.”

I love the name of this fragrance. Liquid Dreams starts with a lucid mix of lemon and Linden/lime blossom, becoming a little greener and grassier.  It’s more subdued and more floral than Ray of Light, with a romantic quality that makes me think of a  willowy girl in a wildflower meadow.

Precious Woods

Notes: 100% natural extracts of Sandelwood/India, Sandelwood/Neukaledonia, CederwoosVirginia/USA, Cederwood/Himalaya, Cistus Vetiver Bourbon, Patchouli/Indonesia, Buddha Wood, white Sage, organic alcohol.

“It mirrors the image of an Indian Forest after a rain storm with its grounding earthy sweet bosky scent.”

Hmm, I wonder if it’s only synthetic woody fragrances that I have a problem with because I really enjoyed Precious Woods. The word that struck me before reading the overview on the website was “grounding” and then saw that it’s used twice to describe this scent. It has a light yet clinging quality, like the scent of incense which has permeated your clothing. It feels more like wearing a woody essential oil blend than a perfume and that always gives me a soothing feeling of wellbeing.

 

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Have you tried any of these or the ones I haven’t mentioned by April Aromatics? 

 

Image credit: AlexandraVBach

 

 

 

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Bottled Starlight – Vega by Guerlain

The brightest star in the sky…

Top notes: aldehydes, bergamot and orange blossom. Heart notes: jasmine, rose, ylang-ylang, blackcurrant blossom, carnation, iris and rosewood. Base notes: vanilla, sandalwood, musk and amber.

Last year I met someone whose taste in perfume perfectly mirrored their personality. While communicating online she told me a few of her favourite fragrances and it was then easy to pinpoint that she was drawn to aldehydic florals.

When we then met in person, it was clear that this category of perfume was a perfect fit for her. She is effervescent, bright and beautiful both inside and out. The correlation with her favourite fragrance genre was striking.

I gave her an atomiaser filled with Vega, which is my favourite floral aldehyde fragrance and as I anticipated, she fell in love with it. In her own words “I can’t even explain it to you…it transports me to an entirely new world. That is my heaven”.

I get a real kick out of being a perfume matchmaker so hearing this from someone who I felt an immediate connection with, was wonderful.

In the past, I never had much luck with floral aldehydes. They were usually too soapy for my taste and the bubbly effect irritated my sinuses. They just didn’t feel like me. Then Birgit generously gave me a decant of Vega and my eyes were opened. This was unlike any of the others, it was so soft and luminous: Pure aldehyde perfection.

This fragrance was first released by Guerlain in 1936 and relaunched as an exclusive in 2006. It shines like starlight and is as smooth as the most expensive champagne. You could separate out the different floral components but this is a fragrance that is more than the sum of its parts. I switch off and let it send me off into the ether.

I wear Vega for celebrations because it’s so sparkling; like bathing myself with a thousand tiny stars.  I picture it as pure white light and feel as if it’s shimmering off my skin. For me, it’s best applied by dabbing rather than spraying.

I wore it to my fabulous friend Thomas’s wedding and that was one of the few times someone’s complimented me on my perfume.

A great twist is that in the base there’s something warm and dark which contrasts so nicely with its cool and clean character. Truly intoxicating.

Unfortunately, Vega has been discontinued. Not only is it sad to lose such a transcendent scent but just look at that stunning Art Deco bottle!

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Do you think the kind of fragrances you like reflects your personality?

 

 

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