Tag Archives: Fur

Curious EdP and Perfume by Aftelier Perfumes

Notes: Tobacco, Hay, Smoke, Orange Leaf, Siam Wood and Dirty Orange.

 

A project that has been three years in the making has finally come to fruition: the Aftel Archive of Curious Scents is now open in Berkeley, California.  Here, artisan perfumer Mandy Aftel shares her personal and unique collection of aromatic materials and antique books.

Visitors can experience over three hundred natural essences and connect with the ingredients that have inspired people over centuries, but which are sadly used much less in perfumery today.

 

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The ambergris exhibit: Archive of Curious Scents

 

The atmosphere of the Archive was the inspiration behind Curious, the latest release from Aftelier Perfumes. There is even an exhibit that breaks down the fragrance note by note so that visitors can see how the essences weave together to create the finished scent.

 

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The camphor-like, leafy opening of Curious suggests bracing air and pine forests.  As it settles, there is the scent of green saplings and creamy white woods over a beguiling mixture of moss and ash. ‘Dirty orange’ is a great descriptor because while the orange leaf is verdant and fresh at the start, it later morphs into a spiral of peel rubbed with earth. I think it’s the orange nuances which lift Curious and give it an extra dimension.

The drydown is a smoky botanical musk; unlike anything I’ve tried before.  The smokiness isn’t tarry or rubbery the way it is in leather fragrances – or indeed the fantastic Vanilla Smoke.  Imagine instead slender grey plumes twisting skywards from a woodland fire.

Mandy thinks of tobacco absolute as nature’s musk and combined with hay absolute the way it is in Curious, creates an aromatic muskiness without the laundry sheet or skanky facets often present in synthetic musks. It drapes across the skin and melds with your own chemistry.

It’s redolent of the outdoors while possessing the texture of fur and the way it plays with the animal and the vegetal is compelling. As usual, Mandy has made a composition that is as clever as it is rewarding.

Unlike many smoky/musky perfumes, Curious has an enigmatic quality that makes it beautifully mysterious.

When comparing the EdP and the Perfume, I would say the EdP is airier with more swirling smoke, while the Perfume is more potent but sits closer to the skin. Out of the two, the EdP is more my style, but I can see plenty of people soaking up the depth of the Perfume.

In either formulation, it is a fascinating fragrance in the truest sense of the word. Its complexity and presence hold my attention with ease. It absolutely does trigger your curiosity as you try and get a handle on exactly what you’re inhaling.

If Curious is what the Archive smells like then it must be a feast for the senses as well as an enthralling exploration into the history of perfumery.

 

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Do you like the idea of a smoky musk perfume? Would you love to visit the Archive of Curious Scents one day?

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Ma Bête, Night Flower and Belle de Jour By Eris Parfums

Bringing sexy back…

 

If you’re seriously into perfume, chances are you’ve visited Barbara Herman’s treasure trove of a blog, Yesterday’s Perfumes. It contains a wealth of information about vintage fragrances and was a great help to me when I was researching an eventual purchase of vintage Vol de Nuit extrait.

In 2013 Barbara released a book “Scent and Subversion: Decoding a Century of Provocative Perfume“. Earlier this year she launched Eris Parfums.  Working with perfumer Antonie Lie, the intention was to create luxury fragrances that would “celebrate unconventional beauty and subversive glamour” The first collection of three EdPs, La Belle Et La Bête (Beauty and the Beast) is a contemporary re-imagining of the striking and seductive floral animalic perfumes of the past.

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Ma te

Neroli, Aldehydes, Nutmeg, Cypriol, Stypras, Jasmin Sambac, Cedarwood, Patchouli and Animalic Accord

As you would expect from a perfume entitled “My Beast”, Ma Bête is an animalic. Although to start with, it’s not that variety of uncomfortably intimate skank. In the opening stage, it consists of a very sexy yet supple musk accented with neroli and a touch of spice. It has the soft texture of a vintage fur stole, wearing close to the body and giving it that second skin feel. There’s nothing invasive or TMI about it for now.  It’s sexual in the way an old Hollywood movie star could be sexual, with a certain look accompanied by the arch of an eyebrow.

Ma te has one aim and one aim only – to seduce. In the base the beast’s growl turns to a roar and you appreciate the fact that Lie used a 50% overdose of his own animalic cocktail. You could argue that it’s not very complex but I guess when you are in the mood for musk, you want it front and centre (as it were).

 

Night Flower

Bergamot, Cardamom, Leather, Suede, Indian Tuberose, Birch Tar, Patchouli, Cinnamon, Musk and Tonka

I approached Night Flower with some trepidation because I am not generally a tuberose perfume fan, to put it mildly. However, it actually turned out to be the one I enjoyed the most. The opening is a combination of bergamot, suede, cardamom and incredibly smooth tuberose. Instead of being the man-eater it usually is, here the de-fanged flower adds a layer of pink bubblegum sweetness. There’s nothing overblown or headache inducing about it.

Over time the suede turns to birch tar and Night Flower now resembles a pair of long leather gloves that hold just a trace of Fracas. It’s dark, warm and slightly powdery. I hope Lie and Herman won’t mind me saying this, but there’s an ambery muskiness present in the base that takes me back to the bottle of Obsession I owned and loved in my youth.

Belle de Jour

Orange Flower, Jasmine, Coriander, Pink Peppercorn, Ciste, Jasmine, Pimento Berries, Cedarwood Incense, Musks and Seaweed Absolute.

Compared to her two counterparts, Belle de Jour opens up surprisingly fresh, with orange and jasmine blossom petals twisting in a salty sea breeze. Here the requisite musk is white and buoyant. It stays at this elevated pitch for a couple of hours. Thereafter it smooths out, becoming floral scented, cashmere-like, clean musk. The texture is raw silk on clean skin.

Antoine Lie says “Belle de Jour is a study in contrasts: a very luminous floral that is salty, sexy and dirty.”  However, it never becomes dirty, or even naughty, on me which is a shame. I’m sure this is because I’m not picking up the type of musk used in the base, as regularly happens with me.

 

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Do you like this retro style? Have you tried any of these three?

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