Tag Archives: Sandalwood

Night Out Perfumes – Mood Scent 4

We are four perfume bloggers from France, Holland, England and Wales posting on a different joint subject every couple of months.  Each time we pick a selection of  fragrances to fit a particular mood or occasion. You’ll find links to the other participating blogs at the end of the post. Our previous subjects have been Rainy Day Perfumes, Wedding Guest Perfumes and Mainstream Perfumes.

December marks the start of the party season, which for many will include various get-togethers with friends, family and work colleagues. It therefore seems a good time to discuss today’s topic of Night Out Perfumes.

I’ve chosen five different evening activities and matched them with five appropriate perfumes.

 

Mood scent purple

 

Dining at a Restaurant – Anima Dulcis, Arquiste

A perfume to match a meal has to be gourmand, but I have a hard time with much of this genre of fragrances because I’m not good with high levels of sweetness in my perfume (though I love it a little too much in food). Most gourmands take the sugary route with lots of vanilla, syrup and/or caramel, but that’s not the only option.

Anima Dulcis by Arquiste is a sophisticated chocolate scent inspired by a recipe for spiced cocoa kept by nuns for centuries. The chocolate accord is dark and spiked with spices and chilli. I should mention that I don’t pick up on any cumin if you’re super sensitive to it as I am.

Notes: Sesame Seed, Cinnamon, Oregano, Clove Buds, Cumin, Jasmine, Smoked Chili Infusion, Vanilla, Cocoa and Oriental-Chypre Accord.

 

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A Show at the Theatre – Bois des Iles Parfum, Chanel

If you’re going to be sitting in close quarters with people you don’t know for any length of time, it’s best to choose a perfume that is on the quiet side. This doesn’t mean it has to be dull however. Somewhat sadly, people don’t dress up for the theatre any more but that doesn’t mean you can’t wear a classy perfume.

Choose a fragrance that feels decadent but make it the Parfum concentration so it doesn’t draw more attention to you than what’s happening on the stage. Perfumer Ernest Beaux was inspired to create Bois des Iles for Chanel while at the opera. The sumptuousness of the theatre is reflected in this golden, sandalwood masterpiece.

Notes: Aldehydes, Bergamot, Neroli, Peach, Jasmine, Rose, Lily of the Valley, Iris, Ylang-Ylang, Vetiver, Sandalwood, Benzoin and Musk.

 

bois des iles

 

Dancing at a Club – Superstitious, Editions des Parfums Frederic Malle

Conversely to the situation above, at a club anything goes. In fact you need a perfume that is able to compete for attention.  Superstitious is a rarity for me: a loud perfume that I love. Frothy aldehydes laced lavishly with jasmine float on top of a dusty and earthy vetiver.

It’s a lot of fun and I enjoy how the surface layer of peaches and cream contrasts with the dark and dirty base underneath. It starts off elegant but doesn’t take itself too seriously. Superstitious gets increasingly dishevelled as the night wears on.

Notes: Jasmine, Rose, Peach, Amber, Incense, Vetiver, Patchouli and Aldehydes.

 

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A Walk in the City – Rose de Nuit, Serge Lutens

Strolling along London’s Southbank is one of my favourite things to do. During December it’s particularly enjoyable because in the evenings the trees are festooned with twinkling lights and there’s always something festive going on. It’s a great option for a date because you can walk and talk, see what attractions are on offer and take in the views across the River Thames.

For a night like this, a nocturnal, leather-tinged rose seems to fit the bill. The Paris exclusive Rose de Nuit contains red roses and yellow jasmine petals smeared with beeswax and emitting a wanton undercurrent of animalic musk. There’s something raspy about it that creates a bit of a frisson.

Notes: Turkish rose, jasmine, apricot, amber, musk, sandalwood and beeswax

 

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Drinks at a Bar – Liqueur Charnelle, Parfumerie Generale

If you’re going to be imbibing alcohol then a boozy perfume seems the obvious choice. Like gourmands, I rarely come across fragrances with prominent alcoholic notes that I like. I’m drawn to the idea of them but when I put them on my skin they are often too strident.

Liqueur Charnelle by Parfumerie Generale is one of the few boozy perfumes that I really enjoy. The burn of cognac is mellowed by frozen raspberries sprinkled with pepper. It feels hedonistic in a very seductive way and it’s perfect for after-hours, grown-up fun.

Notes: Cognac, Dried Fruits, Lime (linden blossom), Grapes, Caramel, Vanilla, Black Pepper, Pink Pepper, Elemi, Amber, Raspberry, Coumarin and Tobacco. 

 

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Check out the Night Out Perfumes chosen by my fellow fragrance bloggers Megan in Sainte Maxime, I Scent You A Day and L’Esperessence.

 

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Which perfume do you usually turn to for a big night out?

 

 

 

 

 

 

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Amouroud Mini Reviews

Perhaps now is the time to accept that oud isn’t just a passing trend in western perfumery but here to stay. New brand Amouroud has recently launched at Harrods with an initial collection of 6 fragrances. The people behind it are Perfumer’s Workshop, whose most well known scent is the 70s classic, Tea Rose.

Oud features in the note lists for all of the fragrances but only Oud du Jour is overtly oud-y . Agarwood seems to add a degree of oriental smoothness to the other five. At £145 for 100ml of Eau de Parfum they’re pretty fairly priced for luxury niche fragrances containing oud, whether natural or synthetic.

 

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Midnight Rose

Top notes are litchi, pomelo and mate; middle notes are lily, red rose and iris; base notes are amber, labdanum and agarwood (oud).

Midnight Rose isn’t anywhere near as dark as the name suggests. It’s actually a sweet and bright fruity rose with a lot of depth. The effervescent lychee opening passes but the fruitiness lingers through the lavish amber drydown. I prefer rose perfumes that have gone over to the dark side like Rose de Nuit or that are retro like Fille de Berlin, but Midnight Rose is very full-bodied which makes it a satisfying wear.

 

Safran Rare

Top notes are freesia, bergamot, incense and geranium; middle notes are cedar, saffron, rose de mai and jasmine; base notes are benzoin, agarwood (oud), vetiver, sandalwood and vanilla.

Safran Rare folds saffron up in almost plasticky leather and it’s an arresting combination. It smells wonderfully sleek and expensive; the height of modern luxury. I appreciate the fact that it’s savoury rather than sweet, although the saffron goes a little sour on me after a while. I find it sexy in a rather strict, leather-clad kind of way.  It’s quite compelling and the one I’ve enjoyed wearing the most.

 

Santal des Indes

Top notes are absinthe and incense; middle notes are curry tree, narcissus, Turkish rose and Chinese cedar; base notes are sandalwood, leather, musk and vetiver.

Aaah, this smells like sandalwood perfumes should smell; creamy to an almost coconutty extent.   The pale, lactonic sandalwood effect lasts for hours and it has great projection without feeling overwhelming. I’m not generally a fan of orientals but I think Santal des Indes will be the stand-out from the collection for many.

 

Dark Orchid

Top notes are mandarin orange, citruses, black gardenia and Sicilian bergamot; middle notes are jasmine, ylang-ylang, lotus and black orchid; base notes are sandalwood, Indonesian patchouli leaf, incense and vanilla.

Dark Orchid has a super strange opening which smells to me like a mixture of caramel and cough drops, undercut by citrus.  It mellows out somewhat as the gardenia  comes through and starts to remind me more of Black Orchid Voile de Fleur than the Tom Ford original. It’s a very distinctive, syrupy gourmand floral so a little goes a long way. Dark Orchid is quite the dramatic attention-seeker. A fragrance for nights out when you want to leave a lasting impression.

 

Oud du Jour

Top notes are pink pepper, raspberry and saffron; middle notes are incense, rose, lily-of-the-valley and dried plum; base notes are agarwood (oud), black amber, patchouli and guaiac wood.

The amusingly titled Oud du Jour showcases oud front and centre, although it’s liberally accented with berry fruitiness. This surprising combination of playful fruit with deeply resinous oud actually works. It is very plush and has that “One Thousand And One Nights” vibe, as ouds tend to, but it’s not overly-spiced. The addition of sweet red fruit means Oud du Jour melds Middle East with West and for this reason it would make a good beginner’s oud. It has amazing longevity and sillage.

 

Miel Sauvage

Top notes are bergamot, honey and red pepper; middle notes are agarwood (oud), jasmine and sandalwood; base notes are patchouli, tonka bean and incense.

The name “Wild Honey” made me rather nervous, but I needn’t have been worried. This doesn’t have the urinous skank of some honey perfumes. To start with, we get a floral honey scent made up of a slightly soapy jasmine paired with clean honey.  It’s rather on the sweet side for my tastes but completely wearable. The jasmine recedes as Miel Sauvage develops, leaving a  base of very gentle honey on a velvety oriental base.

 

 

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Do you think oud is now a fragrance category in its own right?

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