1805 Tonnerre by Beaufort

Twisted firestarter…

Notes: Lime, smoke, gunpowder, blood, brandy, sea water, amber, balsam fir and cedar.

 

These days when I hear about a new perfume house it tends to wash over me. That is unless it’s mentioned by a friend.

Tina G of Australian Perfume Junkies told me about Beaufort and specifically the scent 1805 Tonnerre. What especially got my attention was when she said the man behind the line, Leo Crabtree, had played drums with The Prodigy. Apparently he has had a life-long love of fragrance and his inspiration for Beaufort is the dark side of English history, particularly in relation to the sea.

The brand name comes from the Beaufort wind force scale of measuring the intensity of the wind: a system still in use today. The website states that it represents “a kind of framework within which we can understand ourselves: The wind is constant, enduring, but ultimately changeable and potentially destructive”.

So when I met up with fellow blogger Esperanza at Bloom perfumery during her recent trip to London, I suggested we try the line. We both enjoyed testing the three fragrances released last year in the inaugural Hell and High Water Collection because they were so distinctive. Whether they’re to your taste or not, it’s interesting to try something that isn’t bland or you’ve experienced a million times before.

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1805 was the year of the Battle of Trafalgar, which Admiral Nelson won but during which he lost his life. The fragrance, 1805 Tonnerre attempts to re-create the scent of the battle and is an arresting clash of lime and gunpowder. The lime is bright, fresh and tart while the gunpowder is smoky, leathery and almost meaty. The two are surprisingly well matched, with the lime slicing through the powdery smoke in the opening stage.

The citrus fades over about an hour leaving a woody/ashy drydown with a little salt spray and a pleasing handful of pine needles thrown in.

Of course there should be no gender restrictions in perfume but 1805 Tonnerre feels assuredly masculine to me and I can envisage it being attractive on a guy with a bit of an edge. I can also see women who like bold, smoky perfumes going for this one too.

Tina told me that as well as the Eau de Parfum, the scent is available as a candle and that medium appeals to me most.

Projection is explosive to begin with but mellows out.  I found it to be fiercely tenacious – as if it had seeped into the skin – even surviving a bath.

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It’s one of those fragrances that is best appreciated at a bit of distance. If you press your nose in close – as is our wont – it’s too intense and jarring, but that’s not how we experience fragrance in day to day life anyway.

Give it room to breathe and 1805 Tonnerre can become an uncommon pleasure.

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Niki de Saint Phalle by Niki de Saint Phalle 

Unique green…

Top notes : artemisia, mint, green notes, peach and bergamot; Middle notes: carnation, patchouli, orris root, jasmine, ylang-ylang, cedar and rose; Base notes: leather, sandalwood, amber, musk and oakmoss.

The inimitable Portia of Australian Perfume Junkies brought this 1982 release to my attention and kindly sent me a sample when I expressed interest. I’m always on the lookout for interesting green fragrances which are more than simply light and fresh: Niki de Saint Phalle fits the bill.

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It’s funny, I can have trouble with powdery perfumes but the thin veil of green powder here feels just right. Truthfully, it doesn’t smell high-end but it does have an old-school vibe about it which I find appealing.

There is a tension between the tart greenness and the spring florals which works. It may have come out in the early 80s but it really belongs to the 70s – the era of the green chypre. This genre seems to be a thing of the past, though if the aquatic trend can make a comeback, anything is possible.

Niki de Saint Phalle does smell of another age and not as classy as No 19 say, but it does have an individual charm. There’s an uncompromising sour note in there that is refreshing and wakes up the senses. For someone so tired of the relentless sweetness in perfumery these days, I find it a welcome palate cleanser.

It will please those who are fond of galbanum; that chlorophyll-packed note found in Jacomo’s Silences, with which NdSP shares a kinship. The base is oakmoss-style chypre heaven and feels like a carpet of smooth moss under your bare feet. There’s also a very nice touch of ambery warmth. During this final stage, I inhale almost to the point of dizziness.

I found it really interesting and inspiring to read about the woman herself, while trying her fragrance. Niki de Saint Phalle was an artist who worked in a number of media. After suffering a nervous breakdown, she was encouraged to pursue her love of painting as a form of therapy. Her “Shooting Paintings”  of the early 1960s were bags of paint in human form covered in white plaster which she shot to create the image. She went on to make work which explored the female archetypes and women’s place in society.

In part inspired by Gaudi, she purchased some land in Tuscany to create a monumental sculpture park. This was 20 years in the making and The Tarot Park eventually opened in 1998. It looks like a surreal wonderland with her huge colourful works interspersed amongst the greenery of the trees and shrubs.

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It seems fitting that her fragrances is intense, uncompromising and striking, like de Saint Phalle and her art.

 

Do you have any interesting green fragrances to recommend? Have you tried Niki de Saint Phalle?

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In Rotation

Spring has sprung in the UK and so the perfumes I have in heavy rotation at the moment reflect this. I use the season as the first criteria for narrowing down my daily fragrance selection, followed by mood. So of the several scents I feel appropriate for this time of year, here are the ones that are currently getting the most wear and why.

Vol de Nuit EdT (vintage) by Guerlain

Notes: Bergamot, Galbanum, Petitgrain, Jasmine, Jonquil, Violet, Carnation, Rose, Spices, Woods, Iris, Vanilla, Sandalwood and Amber.

I think it’s the large amount of Guerlainade that does it – Vol de Nuit just makes me feel so grounded. If I’m feeling stressed during springtime, I always turn to this enigmatic chypre oriental: it soothes me. The vernal scents of green leaves and delicate flowers are weighed down in the rich earth, dark woods and emerald moss.

I have a 93ml refillable cannister which is three-quarter full, but I still feel uneasy as I watch the level drop. Vol de Nuit is the fragrance that I feel most at home in.

Champaca EdP by Ormonde Jayne

Notes: Neroli, Pink Pepper and Bamboo,  Champaca Absolute, Freesia Absolute and Basmati notes: Myrrh, Green Tea and Musk

I wear green-tinged fragrances in March/April to echo the resurgence of nature. Most greens have a bitter edge but this pale green floral is nothing but fresh, breezy and easy to wear. It reminds me of the striking rice terraces of Bali, the most breath-taking place I’ve ever visited. This is probably because of the bamboo and Basmati rice accords.

For me, Champaca is a relaxing, beautiful, feel-good perfume that transports me to much more scenic climes. It’s filled with light, air and lush vegetation.

Diorella Edt (vintage) by Dior

Notes: Sicilian Lemon, Basil, Honeysuckle, Peach, Vetiver and Oakmoss

Diorella has such a fruity zing it mirrors the bright new mornings after the clocks go forward. When I first spray it after the winter, I’m reminded of just how much I enjoy this early love of mine. It always feel right, whenever, wherever.

The zesty citrus, gentle florals and fresh herbs make it uplifting while the mossy base gives it an air of easy-going elegance. It’s a killer combination.

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My bottles of Diorella, Vol de Nuit and Champaca

Which fragrances do you have in rotation right now?

 

 

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Opus X by Amouage

Passion and pain

 

Notes: Rose Centifolia, Bloody Rose Accord, Rosebud, Rose Oxide, Geranium, Varnish Accord, Leather, Ambrarome, Ylang-Ylang, Laotian Oud, Metallic Accord

 

I recently went with my pal Kirk to the elegant Amouage stand-alone store in Knightsbridge, London. He purchased the excellent amber, Opus VI which I  think is particularly great on the fellas. It’s fun to see “a civilian” sucked into our fragrant little world.

While there I tried the brand new Opus X from The Library Collection. The mainstream line is full of well constructed, full-bodied perfumes with a capital P. The Library Collection is more exclusive with scents which are often more challenging.

Opus X is a rose-centred fragrance so I was initially disappointed when I inhaled it on a paper strip and it came across as rather jarring. The Sales Assistant suggested trying it on skin because the high percentage of natural oils means there can be quite a difference.

Sure enough, a spray on the back of my hand and it was a different story.  The sour aspect was dialled right down and even the friendly SA was surprised at the dramatic change it took on me.

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I’m always complaining about perfumes being too sweet but the beginning of Opus X has sharp, slightly metallic greens surrounding the central, multi-layered rose. I picture a dark fairy-tale scene of long, malevolent creepers twisting around and almost strangling a partly-opened rose of the deepest crimson.

 

Creative Director, Christopher Chong found his inspiration for Opus X in the 1998 film, The Red Violin. In it, a violin is crafted in 1681 by a grief-stricken Master Violin Maker who infuses the varnish with a little of the blood from his recently deceased wife.  The movie then follows it over the next four centuries to Austria, the UK, China and Canada; telling the stories of the people who own it.

I really want to see this film

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Fittingly the mood of the fragrance is a mix of harsh bitterness, mysterious darkness and deep passion. The varnish on the violin is present, providing a sheer overlay to the many-petalled rose. The lacquer creates a disturbance, but knowing why helps me appreciate Opus X, even if I can’t love it. The widow’s loss means everything can’t be rosy.

This artistic response to another’s creative work has been composed by perfumers Pierre Negrin and Annick Menardo.

The base is distinctly Amouage, as all traces of greenery, metal and varnish disappear. The texture becomes reassuringly velvety thanks to a low whisper of the smoothest oud snaking through a gorgeous amber accord.  Here at last, the sensual side of love and life is exposed and quietly celebrated.

As we’ve come to expect from this luxury house, the longevity is outstanding. Opus X isn’t as voluminous on me as their other perfumes, but that seems to fit: it’s not a showy, outward-looking scent, but a very personal tale.

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Still from The Red Violin

What do you think of The Library Collection? Have you seen The Red Violin?

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Skincare Sorted – Paula’s Choice

For years I’ve lacked any kind of consistency in my skincare. I only bothered with a basic 3-step routine and would switch to a different product every time one ran out. I never had any confidence in a particular brand. I didn’t trust that the cheap ones would make a difference and I felt like I was largely funding the advertising budgets of the premium beauty companies.

I had never heard of American online brand Paula’s Choice before Birgit blogged about it on Olfactoria’s Travels.  I must admit, from that point until last year, I had a couple of false starts with the website. I just couldn’t get to grips with the many products and the long, similar sounding names. There wasn’t the usual “day cream, night cream, eye cream” categories and I no idea what BHAs or AHAs were. I just couldn’t find a way in.

Then when B came to London last year and had brunch with Vanessa and me, I asked her thoughts and she recommended a couple of products. That was the pointer I needed.

I was away and I’ve never looked back since.

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Paula Begoun of Paula’s Choice

If Paula’s Choice is new to you, basically you pick a range that suits your skin concern (Resist for me as it’s anti-aging) then pick products that suit your skin type (combination to oily or normal to dry). I suggest choosing a serum to treat the skin and a moisturiser with SPF for day. If you want, you can choose a moisturiser without SPF for night and add a liquid exfoliant once you have that basic routine sorted. You can use the moisturisers around the eye area though Paula’s Choice have now brought out an eye cream.

They do trial sizes too which are great for holidays as well as testing out new products. Other definite pluses are that they are fragrance free and not tested on animals.

What I think has made the most difference to my skin is not relying on a moisturiser to do all the work. They are often sold as miracle creams but their actual primary job is to hydrate the skin (the clue is in the name). The key is actually a good liquid exfoliant and the serum you use to treat the skin beforehand. As Sali Hughes says, the moisturiser is just a blanket to lay over the skin after treating it, in order to provide comfort.

I have combination skin and my daily regime (excluding cleansing) looks like this :

Morning

Resist Anti-Aging Ultra Light Super Antioxidant Concetrate Serum

Resist Anti-Aging Hyaluronic Acid Booster

Resist Anti-Aging Super-Light Daily Wrinkle Defense Moisturizer SPF 30 in spring/summer/autumn

Resist Anti-Aging Cellular Defense Daily Moisturizer SPF 25 in the winter

Night

Resist Daily Pore-Refining 2% BHA Treatment (liquid exfoliant)

Resist Anti-Aging Retinol Serum (on the eye area)

Resist 1% Retinol Booster

Resist Anti-Aging Barrier Repair Moisturizer

 

I finally have a skincare routine I’m happy with, containing products I use consistently and I can tell are working for me. My sister is also a total convert and has even invested in the men’s range for her husband. You can see why they don’t need to advertise.

In case there is any doubt, I’m not affiliated with the Paula’s Choice in any way; just a fan girl with happy skin.

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Is there a beauty brand you’re loyal to? Are you a fan of Paula’s Choice? If so, what are your hero products from the line? 

 

 

 

 

 

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Ostara by Penhaligon’s

The scent of spring…

 

Top notes: Clementine, Bergamot, Red Berries, Juniper, Spearmint, Blackcurrant Bud, Violet Leaf Absolute, Leafy Effects, Aldehydes

Middle notes: Hyacinth, Narcissus , Beeswax, Cyclamen, Ylang-Ylang, Hawthorn, Wisteria

Base notes: Vanilla, Benzoin, Musk, Amber, White Wood Effects

 

Ostara is the Goddess of spring and in Britain this season is synonymous with daffodils. Bright yellow, open-faced and standing tall, daffodils are the ultimate “happy flower”. They embody the qualities of joy, hope and optimism. For a long time I had a field of daffodils as my screensaver.

Superstar perfumer Bertrand Duchaufour was inspired to create Ostara by his childhood memories of the narcissus fields in Auvergne, France. I’d describe it as a green floral.

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Ostara wakes up cool and crisp with bight greens and just a touch of citrus. It echoes the fresh feeling of those early spring mornings, when the sun is shining but there’s still a bite in the air. In accordance with this, the fragrance has a touch of galbanum bitterness.

I know the scent of daffodils well and I must say Duchaufour has done a skilful job of capturing the aroma. To sniff Ostara is really to hold a big bunch of daffodils in your arms. The flowers mostly smell green and pollen-y and in Ostara you get that green, plant stem aroma along with stamens and dusty pollen.

You could break it down further but you just have to inhale it and you immediately think “daffodils” and “springtime”.

A montage starts rolling in my mind’s eye involving scampering bunny rabbits, birds nesting in budding trees and of course, rolling hills covered with a host of golden daffodils.

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As with many of Dauchaufour’s fragrances, it is a transparent composition with lots of light and air. More than likely as a result of the use aldehydes, Ostara has tremendous radiance.

The fact that it is photorealistic is perhaps what will attract some people and disappoint others.  I had hoped that Ostara would contain some of the earthy, cow pat richness of narcissus absolute, but that’s not the story here.  This is a fragrant ode to green shoots, brilliant sunshine and the buoyant feeling that comes with renewal.

If the scent of daffodils brings back happy childhood memories for you, then Ostara would make a great “emotional button” for whenever you want to recall those carefree days and the feelings connected with them.

 

Do you have a fragrance that sums up spring for you? 

 

 

 

 

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You Can Find Me In The Gym

It used to be that you were about as likely to find me in the gym as you were to find me “in da club”. Things have changed.

For the majority of 2014 I suffered from persistent negative thoughts. I tried various ways to cope with these, from the very old (Buddhist worry beads) to the very new (unfriending a load of people on Facebook). Nothing worked which meant I would need to take drastic action the following year. 2015 subsequently became my year of living dangerously – well compared to how I had been living, anyway.

In February last year I sat silently quaking on a 2 hour flight to spend time in Austria with a good friend. By December I was sitting relatively calmly on a 10 hour flight to a retreat where I didn’t know any of the 130 other attendees. I made lots of changes inbetween those two events but the pivotal one was joining the gym last July.

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The person responsible for holding my hand and encouraging me every step of the way was Val the Cookie Queen. Like all the best role-models she didn’t preach or cajole, she was just a great advert for what an active life-style can do for you.

Up to that point I’d heard countless times how exercise helps with low mood. I just couldn’t identify with working-out in any way and didn’t consider it to be an option for me. All I’d done in the past 20 years was a spell of Kundalini yoga: call me hardcore, but I don’t think anyone should be snoring during their exercise session (I swear it wasn’t me).

When I tentatively brought up the idea of following her example and going to the gym, Val plainly stated it would change my life. That was the final push I needed to at least give it a try.

To say I had low expectations on taking out a gym membership is to put it mildly. I felt like a fish out of water and thought it unlikely that it would be for me. But in the spirit of my drive to step out of my comfort zone, I’d give it a proper go for the next 6 months.

After two weeks my obsessive thoughts had decreased by about 90%. I was amazed. Considering they had been intense and constant for the previous year and half, I don’t think this is a coincidence. I doubt I was pushing myself hard enough to release the required amount of endorphins but I do think I sent a strong positive message to myself that I was prepared to do whatever it took to improve my well-being.

Becoming fitter and reducing my body fat was a great bonus. I do two sessions of cardio/resistance work a week plus a Hatha yoga class. Don’t misunderstand me, I don’t exactly enjoy being at the gym and I’d be lying if I said I didn’t check my watch regularly while I’m there. All the same, if I can’t go for any reason, instead of feeling relieved I feel uneasy. This is now an important part of my weekly routine.

Thanks Val, you were right; going to the gym changed my life.

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Me and Val at Fortnum & Mason last summer

Do you go to the gym or do any other kind of regular exercise? What have the benefits been? 

 

 

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A Bottled Rose on APJ

Please hop on over to Australian Perfume Junkies today for my write-up of Portia’s triumph at Perfume Lovers London in January.

She scented twelve “Great Women” from Cleopatra to Angela Merkel, with highly entertaining results.

I’ll see you there!

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Bottled Starlight – Vega by Guerlain

The brightest star in the sky…

Top notes: aldehydes, bergamot and orange blossom. Heart notes: jasmine, rose, ylang-ylang, blackcurrant blossom, carnation, iris and rosewood. Base notes: vanilla, sandalwood, musk and amber.

Last year I met someone whose taste in perfume perfectly mirrored their personality. While communicating online she told me a few of her favourite fragrances and it was then easy to pinpoint that she was drawn to aldehydic florals.

When we then met in person, it was clear that this category of perfume was a perfect fit for her. She is effervescent, bright and beautiful both inside and out. The correlation with her favourite fragrance genre was striking.

I gave her an atomiaser filled with Vega, which is my favourite floral aldehyde fragrance and as I anticipated, she fell in love with it. In her own words “I can’t even explain it to you…it transports me to an entirely new world. That is my heaven”.

I get a real kick out of being a perfume matchmaker so hearing this from someone who I felt an immediate connection with, was wonderful.

In the past, I never had much luck with floral aldehydes. They were usually too soapy for my taste and the bubbly effect irritated my sinuses. They just didn’t feel like me. Then Birgit generously gave me a decant of Vega and my eyes were opened. This was unlike any of the others, it was so soft and luminous: Pure aldehyde perfection.

This fragrance was first released by Guerlain in 1936 and relaunched as an exclusive in 2006. It shines like starlight and is as smooth as the most expensive champagne. You could separate out the different floral components but this is a fragrance that is more than the sum of its parts. I switch off and let it send me off into the ether.

I wear Vega for celebrations because it’s so sparkling; like bathing myself with a thousand tiny stars.  I picture it as pure white light and feel as if it’s shimmering off my skin. For me, it’s best applied by dabbing rather than spraying.

I wore it to my fabulous friend Thomas’s wedding and that was one of the few times someone’s complimented me on my perfume.

A great twist is that in the base there’s something warm and dark which contrasts so nicely with its cool and clean character. Truly intoxicating.

Unfortunately, Vega has been discontinued. Not only is it sad to lose such a transcendent scent but just look at that stunning Art Deco bottle!

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Do you think the kind of fragrances you like reflects your personality?

 

 

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The Wonderful World of Colognes – Perfume Lovers London, 17th March 2016

 

This was the last Perfume Lovers London event to be organised and presented by the fantastic Lila Das Gupta after starting the group back in January 2012.  Lila has done an amazing job and provided us with so many evenings of fragrant fun, we will be forever grateful.

But the good news is that the lovely Odette Toilette/Lizzie Ostrom will be taking over and Lila will continue to attend along with the rest of us, as a member. Yay!

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Lzzie and Lila

It was a great turn out (50 or more) with lots of familiar faces and a kind of a leaving party vibe. Though Lila led proceedings, it was a sort of Show and Tell.

Lila introduced the evening by saying we weren’t going to do a historical trip through colognes and in any case, as Michael Edwards says, there’s a lot of myths surrounding the origin of Eau de Cologne. So we tried a diverse group of fragrances from the genre and a good time was had by all.

Jean Marie Farina Eau de Cologne by Roger & Gallet

Notes: Bergamot, lemon, neroli, petitgrain, rosemary, cedarwood, sandalwood, myrtle, cedar, vetiver, musk and white amber.

Lila described this as classic cologne (it dates back to 1806) with no doubts as to what it is. That’s indeed how it came across – lots of zingy citrus and easy to recognise as an Eau de Cologne. Lila said it wasn’t her favourite and I think most of us prefer something with a twist.

Florida Water by Lenman & Kemp Barclay

Notes: Citrus, sweet orange, lavender and clove.

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The fabulous Katie Puckrik told us some of the background to Florida Water. It originates from 1808 and is an American version of Eau de Cologne with more of an emphasis on sweet orange as opposed to zesty citrus and with the addition of spice.

It was seen as suitable for young ladies in the Victorian era as it was deemed “nice”. It was marketed as an all-purpose feel-good aroma which could be added to your bath water and laundry. Lila commented that it smelt like Cola. KP agreed but qualified that with “cheap Cola”as it’s not terribly effervescent.

Interestingly, Katie told us that Florida Water had a second life which continues to this day as an item used in witchcraft. It has been used in purification rituals practiced by the Santeria religion and you can buy it in magic shops in New Orleans.

She read us some of the possible uses which included helping those in a “possession trance” (we’ve all been there) and attracting love by adding a few drops to a bowl of water and lighting a “red attraction candle”. Florida Water soap is also recommended for use after dealing with negative people. Katie quipped that she needed it after arriving via London Underground.

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The always entertaining Katie Puckrik

Agua Lavanda by Antonio Puig

Notes: Bergamot, lavender, rosemary, nutmeg, geranium, cedar, oakmoss, musk and tonka bean.

Lila said Agua Lavanda reminds her of her childhood in Spain. For her it’s the smell of sitting in church where incense merged with the lavender scented oil men used to slick back their hair.  Lila reckons the stuff sold in the plastic bottle is better, but the version in the glass bottle lasts longer.

She can’t understand why British people are generally adverse to lavender fragrances but as someone in the audience mentioned, here it’s associated with the older generation as well as men’s grooming products.

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Mugler Cologne by Thierry Mugler

Notes: Bergamot, neroli, petitgrain, orange blossom, S molecule and white musk.

Lila categorises colognes as scents at a high pitch (lacking base notes) and a lower concentration. She finds Mugler Cologne to be uplifting and well priced while not relying on citrus. Perfumer Ruth Mastenbroek, who was in the audience, commented that it smelt like lime to her. Others got grapefruit while Lila found it slightly green as well.

Drinkable Eau de Cologne

Lizzie told us she is a fan of a blog called Diseases of Modern Life which has an article entitled “Lady perfume drinkers of the late 19th century”. It explains that because well-to-do Victorian women couldn’t be seen drinking alcohol in public, they’d pour a little of their respectable Eau de Cologne onto a cube of loaf sugar and eat it.

So in this spirit, Lizzie had infused a bottle of vodka with rosemary, food grade bergamot oil, orange, lemon and some orange blossom water as a substitute for neroli (which is pricey stuff). We each put a sugar cube in an empty class and she poured a little of the vodka cologne over it, which was then topped up with Prosecco. I have to say it smelt amazing and tasted pretty good too.

 

Bergamote Soleil by Atelier Cologne

Notes: Bergamot, bigarade, ambrette, jasmine, lavender, cardamom, vetiver, oak moss and white amber.

Lila sees Atelier Cologne as a very interesting line. Bergaamote Soleil is a new release from them and it got a rather mixed reaction. While some focused on a grapefruit aspect quite a few got a “cat pee” note which was hard for them to miss once recognised.

Tea Tonique by Miller Harris

Notes: Bergamot, petit grain, lemon, smokey tea, nutmeg, mate abs, birch tar and musk

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Ever since Bulgari’s Eau Perfumée Eau Thé Vert people realised you could play around with colognes and put tea accords in them. Lila bought Green Tea by Elizabeth Arden when she first came across it in the States. CK One also contained a tea note.

Tea Tonique is a favourite of Lila’s from the Miller Harris line and we tried it on paper. It generally got a very good reception from the room. It reminds Lila of scent of the dry leaves when you poke your nose in the tea tin or the moment hot water hits the leaves. A member of the audience thought it had a rubbery facet. I liked Tea Tonique a lot.

Cologne Reloaded by Bogue Profumo

Antonio Gardoni, the man behind Bogue, took centre-stage to tell us the story behind his Cologne Reloaded which was a limited edition and unfortunately no longer available.

It all started when fifty vintage bottles of bases used by pharmacists to make up colognes came into his possession. He found out they dated back to the 1950s and got the original recipe from the manufacturer. After making up the bases at the intended 4% concentration he started to experiment.

To create Cologne Reloaded he mixed together all 5 bases (light to dark) and made them up to 15%. He added citrus, spices and herbs and a flowery heart. There’s also roasted vetiver and roasted patchouli in the base but what really stood out to me was the white birch tar. A leathery cologne!

Antonio had also brought along his own homemade cologne cocktail of gin, soda, rosemary, lavender, orange blossom water, vanilla and citrus peels with yellow food colouring to make it look like cologne. Hmm, this may become a trend…

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The very engaging Antonio Gardoni

 

Pell Wall Perfumes

Chris Bartlett of Pell Wall Perfumes introduced us to a perfume he is working on for release this summer. He came across a wild orange oil he really liked and created the fragrance to showcase it. It’s 15% orange oil, with an aldehydic top and though it lasts longer than most citrus colognes, it’s still relatively short-lived. Chris said “it’s a big hit and then it’s gone” but he believes if it’s long-lasting then it’s not really a cologne. It doesn’t have a name yet but someone suggested he call it “Lila” and I couldn’t agree more 🙂

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Thanks once again to Lila for all her hard work and enthusiasm in running the Perfume Lovers London group for the past 4 years. It’s been an absolute blast and this evening was one of the very best.

 

 

 

 

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