Tag Archives: Musty

Bat by Zoologist Perfumes

Top Notes: Banana, Soft Fruits, Damp Earth
Heart Notes: Fig, Tropical Fruits, Mineral Notes, Myrrh, Resins, Vegetal Roots
Base Notes: Furry Musks*, Leather*, Vetiver, Sandalwood, Tonka

                                         *No animal products are used in Zoologist fragrances.

 

I’ve said previously how I love the concept behind Zoologist Perfumes. The ‘animal inspos’ are quirky and using the talents of artisan perfumers to compose them is a master stroke. I’ve written mini reviews  of Rhinoceros, Beaver and Panda and Civet, Nightingale and Macaque.

I have owned a sample of 2016 release, Bat, for a while but thought it would be fun to delve into it for Halloween.

 

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Dr. Ellen Covey is the indie perfumer behind Olympic Orchids but she is also a university professor who has conducted research into bats. Therefore, it’s no wonder she captured this creature, its diet and habitat so perfectly in scent for Zoologist. Last year Bat won an Art and Olfaction Award in the Independent category.

The bat in question is specifically a fruit bat, so we begin with a mixture of fruity notes    coated in mustiness very similar to petrichor, that fantastic aroma created when rain hits dry soil. This prevents the fruitiness from veering anywhere close to syrupy cocktail territory. I can’t bear the smell of bananas but here it’s the faint odour of dried banana skin. The damp earth accord coupled with the tropical fruit is completely unique.

Consider me hooked.

As the musty fruit opening fades, I notice a chill coming off my skin along with the earthiness, as if the bat is swooping through the cool night air.

In the heart of the fragrance, Bat returns to its cave with its scent of stone walls along with vegetal roots and humus rising up from the damp dirt floor.  It’s hugely atmospheric, recreating the dark, dank environment the bat haunts during daylight hours.

The base brings us up close and personal to the mammal’s black wings and grey fur. This is achieved through a phenol, fume-y leather dusted with vetiver and set against a fuzzy musky background. Now we get a real taste of the gothic. It’s a potent brew and not for the lily-livered.

What has surprised me the most about Bat is that it’s not the wholly unapproachable art piece I expected it to be. This may be in part because it stays relatively soft on my skin (until the base) though longevity is excellent. I was prepared to be impressed by its originality but it is also clever, witty and well structured.

Bat is not a conventional, easy wear by any means, but under the cloak of a damp and overcast autumn day when the veil between worlds is at its thinnest, it fits right in.

 

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Do you pick an appropriate perfume for Halloween? Have you tried Bat?

 

 

 

 

 

 

 

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Superstitious by Editions de Parfums Frederic Malle

Notes: Jasmine, Rose, Peach, Amber, Incense, Vetiver, Patchouli and Aldehydes.

 

I should know better by now than to buy even a travel sized bottle of perfume on the first sniff, but rules are made to be broken. Buying the recent Malle release, Superstitious, on the spot was a calculated risk though. Val the Cookie Queen already owned the 10ml bottle and I know if she says something is good, it’s good.

Superstitious was created in association with fashion designer Alber Elbaz and the perfumer is the great Dominique Ropion. It’s the second in the ‘par Frederic Malle’ collection; the first being Dries Van Noten.

 

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Superstitious with its evil eye

 

The main body of Superstitious is all about jasmine and aldehydes. Please don’t be put off (like me) by ‘The A Word’.  These aldehydes are of the fatty, waxy variety, not the fizzy, forceful kind. The effect feels like a glistening sheen on the skin.

I’ve long had a yearning for a jasmine perfume but until now I’ve always found them either too heady or too indolic. Here, the jasmine isn’t high-pitched or overly animalic. The combination of jasmine, aldehydes and a touch of almost creamy peach gives Superstitious an unfussy opulence; like a frothy mountain of tulle. Although superficially it appears spotless, there is a pinch of smutty spice just underneath those gauzy layers, which hints at things come…

The drydown of Superstitious is sensual in a lived-in, mussed up kind of way. The sales assistant told us that people are calling the scent “posh sex”, which is actually not a bad way of describing it – it’s pure refinement that’s been tempted to engage in pure debauchery.

The base is an incense-y, woody, vetiver that is attractive in an unconventional, broken down way. It’s as if you’ve been rolling around on the floor of an abandoned building, albeit in a ball gown.

For me, discovering a hidden filth scene can be much more exhilarating then a blatant show of carnality. Someone would have to wait until the end of the night to experience that unseemly side. Anything that is not quite what it seems at first look always intrigues me.

It’s a cleverly constructed composition, going from radiant and gleaming to earthy and deeply sensual. Be aware that it is a BIG perfume with day-into-night longevity.

Its floral aldehyde style may hark back to the grand perfumes of the first half of the twentieth century but Superstitious doesn’t read as vintage or even retro.  There’s an edge to this fragrance that makes it completely contemporary.

I’m normally not attracted to the large-scale perfumes like Carnal Flower for which Ropion is known for. However, I don’t find Superstitious overwhelming. It makes a statement but I apply it judiciously and it seems to meld with my skin. In fact, it possesses everything that draws me to a perfume: contrast, tension, mystery, sensuality, originality and unmistakable quality.

Superstitious is impossibly glamorous in the most undone, sexy way imaginable.

 

 

kate

 

I understand Superstitious has been polarising people. What’s your take on it?

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